Saturday, March 15, 2003

***A scene with Jesse and myself, and a random assortment of supporting charcaters. Didn't really go anywhere, but Jesse had some good psycho-babble, and I got to mock Starbucks which I HATE in RL. One of the worst things the States has infected Canada with. I hope the spread of Tim Hortons evens the score.***


Starbucks(#547RIJM)

In the fashion of all Starbucks, this coffee house is styled after the Italian coffee bars where regulars sit at small table and booths and drink espresso with their friends. It provides a seductive atmosphere, sleek yet comfortable. The coffee preparers, known as 'baristas', Italian for bartender, are busy behind the counter preparing various caffeine filled beverages. The aroma of their creations teases your senses. The counter and the entire room feature plenty of burnished wood and brass. About the place sophisticated artwork hangs on the walls. The sound of soft-rock music can be heard over the continuous murmur of the patrons. Through the front window pedestrians can be seen, glancing back at you as the aroma coming through the front door distracts them.

-- Places Available Here --


Contents:
Jennifer
Obvious exits:
Out
+time
//.etro: It is 3:01 pm, late afternoon, on Monday the 22. day of September, 2008.

Compton walks in from the dull heat of a Canadian autum day. He look tired and haggered as he steps in to line with the other caffine junkies and awaits his administration.

Jennifer sips some mocha and seems to be towards the end of reading the daily paper.

As the line slowly crawls forward, the big guy eventually gets to a server, "Large coffee, black." he says simply.

The server of cource, in typical Starbucks pomp asks, "Is that a Columbian, Etheopian, or house blend?"

"Fuck, I dunno, house..." He says with growning annoyance.

"Right, House. Was that caf or no caf?" The highschool student asks as she decends in to the second level of the archane ordering system of the 'bucks.

Compton sighs heavily, and repeats himself firms "Large. Coffee. Black."

The girl behind the counter blinks, and gets that surly minimum wage coffee server look on finally, "You mean Venti?" she asks, twisting the last word in to a sarcastic statement.

"What the fuck ever you stuck up twat. We're in Canada! Not Italy, which I'm sure you don't even speak italian! So why can't you say LARGE?" Compton's yelling now. The manager behind the bar, you know, the one elevated enough not to wear an apron, walks towards the two.

Starbucks manager says, "Sir? Please calm down, she's only doing her job." The pimply manager states. Instantly taking her side.

Jennifer chuckles a little watching now "Chill man... you will get your caffiene fix. Though I must admit even italians aren't this obnoxious

Compton clamps his lips closed. His face and head turning a vivid purple/red color as he simmers. "Lagre coffee. Black." he repeats for the two of them, which amazingly gets the job done this time. The manager nods to his underling, which then turns to pour some black fluid from a pot in to a styrofoam cup, and place it on the counter. Comtpon drops a 'toonie' and 50 cents, and takes his cup to the prep island. "Fucking place. " He grumbles at you as he passes to find himself a lid.

Jennifer laughs amused and nods lightly. "Indeed... mind company if your staying?

Compton snaps a platic lid on his java, and looks at you for a long second. Debating with himself. "Sure" he eventually says with some certanty."Back there" he jerks a thumb over his shoulder towards the back of the room. Then turns and plods off that way.

A small table by the window (#1) has 3 empty places.
A larger table by the front door (#2) has 2 empty places.
A quiet booth in the back (#3) has 6 empty places.
A table near the serving counter (#4) has 3 empty places.
A cozy table for two (#5) has 3 empty places.
A seat at the counter (#6) has 3 empty places.
Present: Jennifer
A comfortable sofa (#7) has 3 empty places.
A table at the back (#8) has 3 empty places.
sit at #8
You sit down at a table at the back.

Jennifer stands and leaves a seat at the counter.

Jennifer gets a new mocha from them before heading over, they have a lot less trouble with hers
after she says Venti White Chocolate Mocha. She settles at your table.

Jennifer sits down at a table at the back.

Jennifer joins you.

Jesse comes in off the street following the rich aroma of coffee.
Jesse has arrived.

Compton situates himself so that Jen is between him and the front counter. He makes sure of this by peering over Jennifers shoulder a few times.

Jennifer watches this "What are you doing?"
Compton reaches in to his pants, no not the pocket, but down in front. From there he pulls out a small vial of some black viscous fluid, before reaching back in and adjusting himself, "Who me?" he asks with feigned surprise as he puts the boys right again, "Just getting some flavour".

Spotting Jesse by the counter he uses his free hand and waves it in the air.

Jennifer chuckles lightly "Right..." sips her coffee and seems amused

Compton says, in Enochian, "Jesse. In the dark watching."

Four in the afternoon on a Monday. The jobless are just waking up and fiending for the first installment of the day's long infusions of precious caffeine. Jesse lets the door swing shut behind him, drifting into the brasserie and glancing about the midafternoon loafers and layabouts. On seeing Compton, he raises a lazy hand, responding to the wave with a peace sign, then gesturing for a cigarette. "...abiding?"

Compton makes with the 'hangloose' sign, and then pauses looking slightly confused, he then mumbles to Jen, "...you smoke...?"

Jesse positions himself between Compton and the barista, drifting ahead of him in line. "Yeah, cheers. Uh. A medium... no, wait... large... hey, do you guys have Soy back there? Is it good? 'cause, you know... when you steam bad soy, it gets tha nasty flavor? Like, uh... you know. What's it like? Sort of.... burnt blackberries?" Rambling, confused, taking his time with his order. And, if that doesn't take enough time, he's got pockets full of change to lose count of repeatedly.

Compton doesn't wait for a response from her before finishing his 'handiwork' with index amd middle finger held together and pointed right, finsihed witht he 'A-Ok'sign.

Jennifer watches the signs and then shakes her head. "No, I tend to avoid anything affecting my sense of the now, to dangerous these days.

Compton looks back from Jesse to Jen, and raises his brows, crinkling his forhead in deep ridges, "Right, well. Good for you." he says. Barely even remembering the original question, turning back to his uncrotched vial again.

Jesse eventually negotiates for a steaming cardboard cup of something caffeinated and sweet. He gets his drink at the side counter, turns around and leans against the front counter again, once more blocking the barista from Compton as he grins at the old man. "Du sieh'st, mein Sohnday..." He laughs, shakes his head, then shrugs. "Glad to see somebody's awake. Fucking Daze snores s'goddamned loud she's drunk, not even worth pretending to sleep. Plus the goddamned channel button's stuck on the dream box, and all I get is the fucking apocalypse channel."

Jennifer looks curious and asks softly "Dream box?"

Compton peers up once more, at Jesse's incessant diatribe, and snaps the head off the vial.

Compton says, in Enochian, "Whatever fucking god is in charge of this coffee, hear me and do what I say... please."

After Comptons short line in some odd-ball language, the up ends the vial over his steaming coffee and lets the thick fluid lump it's way out.

//.etro: Compton rolls "intelligence+science" at diff 6
For a total of 2 success(es).

Alyx has arrived.

Jesse taps two fingers against the side of his head and nods to the biker. "Yeah. Dream box. Don't work if you're stuck in the now, though." His voice drops into the range of irony and sarcasm for the last phrase, then rises again. "And Jeezis, you seen Freyaday's fucking strapon? Gnostic apotheosis of wood my ass that's fucking creepy. Element that does not unnecessarily reproduce. Fuck your mother I can't even look at her straight since she got Freya." He sniffs. "His name's Apollo. The one you're talking to. Who else?"

//.etro: Compton rolls "arete" at diff 5
For a total of 1 success(es).

Jennifer blinks looking between Jesse and Compton trying to piece together whatever it is they are babbling about now.

The fluid disapears in to Comptons coffee. With but a short undulating of the surface as if it's being stirred from below, it look absolutly like it did before. The old guy picks up his cup , and takes a sip. Smiling for the first time since he's been here.

Starbucks is blessed with the arrival of another patron - Alyx. Though it's mid-afternoon, she looks like she might not actually have been out of bed all that long, as she trudges towards the counter, in search of life-giving coffee. Only to order....decaf.

Jesse moves away from where he'd been leaning against the counter, a nod and a raise of his foamed something to Alyx when she walks in. Leaning instead against the closest table, he sets his coffee down, pulls a film canister from his satchel, shakes a couple of pills from it, and washes them down with the steaming drink. "Here's to the reverend Sun Yun Moon."

Jennifer excuses herself pushing her chair back. "Be right back." heads in for the bbathroom
Jennifer stands and leaves a table at the back.
Jennifer has departed.

The smell of cooked liver seems to be eminating from the back of the room. Where Jennifer and Compton are sitting. This mixes with the coffee bean smell closer to the door. But closer tot he rear, the acrid bile smell is hard to ignore.


Jesse winces, shaking his head and sighing as he watches Compton drink his coffee. "Did the Brit turn you onto that shit?" Another sip. "Thought you were supposed to be..." He looks at the old man, frowning with curiosity. "Tell me that's not some goldberg backalley shortcut to the kaywhole."

Alyx flicks Jesse a casual salute as she collects her mug of caffine-less coffee, sipping the brew with apparent relief. "Mm. yo, sailor," she muses to the obscured Elvis, while offering Compton a friendly smile as well.

"Hey." Jesse cracks a crooked grin. "How's my favorite shark in the meme pool?" He pauses, rubbing the bridge of his nose as he looks down for a moment. "...pool meme?" Jokes have a way of getting out of control shortly after the consumption of an entheogen, you see.

Compton looks up from his 'coffee' at Jesse and his smile fades a bit to a smirk, "It's not. Drinking 'Ire-ish' cream today." he replies, a funny inflection placed on the word Irish. He then gives Alyx the old 'finger-gun salute'.

Jesse nearly spits his coffee with sudden laughter at Compton's comment. "Nice."

"Want some?" he offers his now suspect cup of fluid to the 'King'. Comptons eyes have become somewhat glassy in the last few minutes.

Alyx winks at Jesse. "Alive and seeking blood?" she quips, gesturing to her coffee, before blowing Compton a kiss. It must be one of those random-impulse things. "You?"

Jesse shakes his head no. "No. I'm supposed to be crazy for a week, not Irish. That big red shit's rotting my teeth out, I swear." He turns back to Alyx and gives a lazy shrug. "Bringing the war, rallying the masses. Repelling invasions from the shores of my brain. Usual shit for a Monday."

The pimply manager from behind the counter, starts shooting annyoyed looks at the rear of the establishment. Comptons already had a run in with him, and the pencil-necked twerp would ove nothing more than to have an excuse to have the cops called in on him. The acrid smell comming from the area is most likely what's tipping him off. Unfortunatly there's a fre back there, and he can't just go throwing people out. It might be that skaggy looking biker bitch after all.

"Sounds thrilling," Alyx remarks to Jesse's comment, smiling languidly. "Me, I'm happy with just marshalling my thoughts together into an orderly line and letting them die one by one under a wave of sweet coffee."

"Ideas are born dead." The old hipster comments uninvited, "It's whwere you hide the bodies that's important." Apaprently that made sense enough to him to say aloud.

I heard there was a secret chord
that David played and it pleased the lord.

Jesse's headphones are broadcasting music still, curled laurel-like about the base of his neck. Stretching in place, the gaunt houngan tilts his head to one side, staring absently at the large Starbucks logo on the opposite wall. "This place is so weird. Full on Tibetan Black Hat Fong Shway. Mining the dragon lines and clusterbombing neighborhoods. They're so good. So very good at what they do. You walk in anywhere, and you're on their planet and in their warm and cloying radiance. I... it's absorbing. It's a flytrap it is." He glares at the mermaid in the logo. "...wake us and we drown. This would be a horrific place to wake up, in sight of the sirens."

Jennifer steps back out of the bathroom looking around then heading back over.

"But they have nice shitters." Compton adds, "Best place to take a public dump if need be." he says this nodidng at Jen as she returns, "And they're always single seaters, so you can lok the person in the eye, who waiting to go in next, after you've nuked the place. It's important to know your victems afterall, right?" he asks, now nodding to Alyx and lifting his cup of 'stuff'and taking another belt.

Alyx finds herself a seat near Compton, kicking her feet up on the tabletop once she's settled. "Foul beast. I bet it's you that keeps blocking up the toilet at McDonalds, isn't it," she accuses mildly.

Alyx sits down at a table at the back.
Alyx joins you.

Jennifer snags her seat, her mocha is there after all and settles down by Alyx now. "So whats up Alyx?""

"This one time in fresno," Jesse begins, mumbling a low, steady torrent of rounded syllables, his lips drooping sluggishly around the words, "I'd shot in the bathroom and when I came out, the coke was wah wah wahing and bleaching my vision and everything was poing pinprick, past tunnel vision, you know?"

"So I'm sitting and whiteknuckling it, praying that I don't OD right then and there in the middle of the fucking starbucks and behind the wah wahs, behind the white light, the only thing in the tunnel was the mermaid and she's singing under the music in here."

"It's why they have their own CDs. They're running NLP scams all the time. Soporifics. Audio vicodin. And so I tune into the signal, and she's smiling at me and... and the reason they've got good bathrooms is 'cause they've got soulcatchers up for all the poor junkies who OD looking for a safe warm place to be left alone."

Innocent until proven guilty, ma'am." Compton retorts, "To have Daisy tell it, its an Hamas plot."

"There ya go." Compton says in coda of Jesses explaination.

Alyx eyes Jesse bemusedly. "I can think of worse fates than to be sung to death by a mermaid," she observes, head cocking to the side slightly. "And it serves you right for shooting up in a place where caffine rules supreme. There's only room for /one/ drug in this here cafe," she adds, the latter comment spoken in a western-style cowboy's accent.

"If the mermaids sing you to death, you don't get to wake up when you die." Jesse rubs his face sorrowfully, looking around and frowning. "You're stuck here, back in this place, for another spin of the wheel."

Jennifer sips her mocha and falls to listening now.

Jesse shrugs, shaking his head no. "No, that's the problem. The lesson isn't learned. You don't get to wake up. They catch you and keep you here. Asleep. Drunk. Smoldering in the wet ashes."

You say, "Caffine is the new religion, and the opium for the masses. This place is an opium den, just with fucking pompus Italian words of things like LARGE!"

Compton hits the last word hard and loud, shooting it over that he manager behind the counter. The peckerwoods eyes narrowing back at the outburst.

Jennifer laughs "He got into a near riot with the staff when they insisted on calling it a Venti.. it was great

Jane comes in off the street following the rich aroma of coffee.
Jane has arrived.

"Oy, calm down, you two," Alyx murmurs to Compton and Jesse. "They like to pretend they've got italian backgrounds - who are we to dispell their little dreamworld?"

We heard Ian Curtis
Killed himself again
In your bed.

Jesse's headphones maintain the quiet radius of their sound. Shoulders drooped, he hasn't looked away from the logo behind the bar since he started on this. Cap pulled low, he slouches against the table, the effects of the entheogen on his pupils hidden by the shadows of the brim. "Language is a gun. They know this and so do we. Only problem is, we're holding the end that goes boom."

Jesse is leaning against a table, legs crossed at the ankles, a cup of apidly cooling foamed something ignored behind him. He is staring across the room at the logo behind the wall. He is tripping, though it might not be obvious since he's also probably insane. He's carrying the bass and tenor ranges of a conversation to which Compton has the percussion and the alto ranges - Jesse is a low, steady mumble. Compton is the jarring explosion of ire and invectives.
@emit There is a rather strong odour of cooked liver comming from where Jennifer is stting, which also happen to be where Compton, Alyx and Jesse are all aroudn too.
There is a rather strong odour of cooked liver comming from where Jennifer is stting, which also happen to be where Compton, Alyx and Jesse are all aroudn too.
We don't talk about love. / We only want to get drunk

Jesse lifts his cup to his lips, blowing across its surface before sipping again at the nearly congealed fam and sugar concoction. He rolls his head, stretching his neck, then finally looks away from the logo, blinking as he returns his attention to his surroundings.

"So E Rock. 'tsa plan today? Penn and I started a new gig last night. Want we should keep it rolling?"

Jane sniffs a couple of times, then heads towards the counter, to order
Jennifer finishes off her mocha and hms contemplating a refill now. Ah the simple decisions

Compton sucks the last of the vile fluid from his cup, and crumples the remains in his hand, leaving it on the table for one of the minions to pick up, "Sure thing Jazzy-J." the big guy responds, "Tell me."

Jesse says, in Enochian, "Monkey wrenching. Reclaimed a sign. Liberate the logosphere."

Jesse switches abruptly to english, after a few phrases in another language. "Anyway so I was reading Deleuze again and he's got this rhizome schtick, dig? And so I'm thinking that we need to figure out this schizoanalysis thing. Run it past Piggy, maybe use it as a schema for the son et lumiere cutups we've been talking about?"

Compton says, in Enochian, "Dig. Want we should take an infidel along?"

Jane pauses in her passage to the bar to glance around at the language students, then returns to her passage to the bar.
Jesse shakes his head no. He says, in Enochian, "Don't trust a one of them."

Compton says, in Enochian, "I don't either. But after Daze and Hiros stunt, thought it might be fun to drag the enemy along, make them destroy their own world."

Compton quips back at Jesse in their strange and etherial language.

Compton stands and looks to Jesse, and says with a shrug, "Whatever. Is all static anyways. Static and wind."

Jesse laughs, still shaking his head no. "Dude. Porcupines fucking, dig? C'mon - for serious. Deleuze. Schizoanalysis. Rhizomes. Piggy hero running cutups on the big screen. Can you build a, uh..." He gestures vaguely. "You know. A thing. To synchronize video cuts to a drumbeat?"
Jane collects her coffee, and leans against the counter, watching the bilingual banter, with a faintly amused air

Compton mimics Jesse's hand motions, "Yeah, yeah - a thing. Speak right you fucktard. You mean a Digi-analog editor?" he says with some sense of authority.

"Language is a gun. They know this and so do we. Only problem is, we're holding the end that goes boom." Jesse nods slowly, scratching the stubble on his cheek, and takes another slow sip of his coffee, then tilts his head to one side, turning to Compton. "So E Rock. 'tsa plan today? Penn and I started a new gig last night. Want we should keep it rolling?"

"Sure thing Jazzy-J." the big guy responds, "Tell me."

Jesse says, in Enochian, "Monkey wrenching. Reclaimed a sign. Liberate the logosphere."

Compton replys to Jesse's question again, with a smoothness and clairty totally undercutting the odd redundancy.

Compton says, in Enochian, "Dig. Want we should take an infidel along?"

Jesse shakes his head, rubbing the back of his neck, and glances across the bar, watching the transactions at the counter, money for coffee, priced by the adjective. "Anyway so I was reading Deleuze again..." A tug at the brim of his cap, another sip, "... and he's got this rhizome schtick, dig? And so I'm thinking that we need to figure out this schizoanalysis thing." Staring into the foam as though reading his future in its waves and eddies. "Run it past Piggy, maybe use it as a schema for the son et lumiere cutups we've been talking about?"
Jane sips her coffee quietly, still watching, and apparantly listening to, the interplay.

Compton reaches up and scrathes beneith his mullet, "Idea. There's the big Sony on the east side. All electronics. Easy to do."

Jesse turns, folding himself into a seat and sprawling back in it, one leg splayed out, the other bent beneath. His dirty fingernails drum along with the soft tinny music from the headphones around his neck. Cigarettes and Chocolate Milk. "Peaches can probably get knockoffs cheap, though."

Jesse sits down at a table at the back.
Jesse joins you.

Compton apparently ready to leave, stops and returns to his seat as plans seem to change like the wind.

You say, "No you feeb. The sign, sign. Easy of here. The big Sony sign."

Jennifer looks between them and shakes her head slipping back tothe counter.
Jennifer orders herself another Mocha

Jane says, "Now, didn't someone write...."
Jane says, in Enochian, "You wouldn't want people to mistake you for a bunch of vandals, would you?"

Jesse blinks, wincing at Compton's diatribe, then pans across to Jane's addition. A laugh, blurted out, and he shakes his head. "Fuck off, geezer. I'm the fucking Moonie this week, I'm supposed to be nuts." Then he tugs his capbrim at Jane. "Jaytee. Eye See. Pleasedta."

Compton says, in Enochian, "I'd rather be mistaken for a pron star able to put my cock in my ear, but that's about as likely."

Compton grimices like he just bit his tounge, "Fuck, ow." apparently he did, "Mean't porn sthar... but whatefer, you goth the point." he says, a lisp appearing.

Jane nods gravely, "You can call me Doctor Smith. Delighted."

"So, Smitty, what's all this about who wrote what where and why?" Jesse grins over his coffee, his splayed boot reeling itself in slowly, until its heel is hooked on the lip of his chair's seat, offering his elbow a comfortable perch on the resultingly raised knee.

Compton leans back in his chair, the cheap pine of it creaking beneith his mass, be crosses his arms acorss his chest and goes in to full grouch-mode.

Jane says, "You haven't read that quote? But it's from the book you were quoting... and so beautfully too, if you don't mind me mentioning it. You have a lovely accent, far nicer than mine.... I bet you went to a Private school, didn't you?"

Jesse shakes his head no. "Home schooled." A grin, hidden under a tug of his hat, his face realigned under the brim's shadow. "What book was I quoting? When? Geezer, was I quoting something again?" He knocks twice on the side of his head with his hand's heel. "Sorry. Bad habit of doing that, I've got. Transparancy to broadcast media. Bitch of a thing." He sniffs. "So. Uh. Right. When were we? Here. Wo weilest du, meine sohn? Did we have a plan and I've forgotten it, or are we about to make one?"

Jennifer has disconnected.

Compton lisps out with his swelling tounge, "Yer dah Moonie, where you lead I'd follow. Want I should call Pobsy or just hail a cab?"

You give me a rope, I'll hang myself. / It doesn't take a genius to figure it out.
Don't have to be fucking brilliant to see / I'm not as smart as I seem to be.

The digitally pilfered sounds from Jesse's personal audiosphere fade in and out of intelligibility, snippets of lyrics escaping into the lacunas of conversation. He frowns, watching his toe move from side to side, then looks back to Compton. "Huh? I think the Brit's holed up again. Daze was snoring like she was drunk and I didn't see piggy so I figure the brit cooked something up last night while me and Penn were out. Don't think he's in the game right now."

He pulls a knockoff palm pilot from his satchel, held together with electrical tape, and pokes at it with his stylus. "Lemme ask the ancients." He squints at the flat green screen. "I ching says... hexagram fifty six. Lu. The Wanderer. That's Ahasuerus. What's it say..." He reads, from the six thousand year old chinese divination system, digitally encoded onto the Malaysian ersatz handheld computer.

"The situation is shifting, and Yang (the active masculine force) is gaining ground." "I think that's Penny." The future is embodied in Hexagram 49, Ko. Revolution. What takes place is believed in only after it has been accomplished. There will be great progress and success. Advantage will come from being firm and correct. In that case, occasion for repentance will disappear.
"

You say, "I guess that sets it then. We have a plan."

Jane chuckles, listening idly, whilst she keeps sipping her coffee.

Jesse shakes his head no. "One, I think it's bad to pull the same stunt twice, two it's monday which is my day which means, uh... I forget, but it had something to do with the water. And three, I think we should make Hiro dress in drag because it's his fucking week to be Judy and he hasn't left his room once."

Compton uncrosses his arms and stretches. Folding them behind his head, and interlackinbg his fingers together under his mullet. "Fine we stay. Don't know what the entire Wandering kike thing had anything to do with anything then."

Alyx stirs from what could only be a coffee-induced daydream, chiming in, "Judy? Who's Judy?"

You say, "This week? Pig boy."

"He pissed Jesus off and got cursed to wander the earth 'till the second serpent came back." Jesse frowns, shrugging. "Dunno, man. Maybe it's a keep your head down? At least we got Ko for the future. That's pretty bitching. Hiro's Judy. I was, now he is. I'm the Moonie. On account of I gotta be a lunatic for a while. E Rock's mein sohn, and he's a great big kaywhole."

Jane contemplates for a moment or two, then remarks, as though to herself, "I think this routine was funnier when it was the Marx brothers doing it."

Jesse shakes his head no to Jane, and shrugs. "Ego Identity is one of the seven chakras. The seven qlippoth that bind the soul to the body. They burned the books where Jesus laughed. All part of the prison. Just another black iron wall to tunnel through."

Jane corrects slightly. "Chain. Black iron chain. And it's 'to cast off'."

Compton starts to glare poignantly at Jane, and her all too helpful corrections.

"Prison. Black Iron Prison." He shrugs. "Or chain. Whatever. Point being, it's their world and their language and their game. Cheat codes or no, we're still playing until we can find the off switch. And that's just not anywhere on the grid."

At your table Compton grumbles, "This one is the enemy, I swear it."

Jane says, "Which all sounds terribly mystic and rebellious, until you realise it was written pretty much identically in the 9th century."

"We're still living in the first century. It's a prison. The Empire never ended." Jesse's voice finds that familiar low monotono mumble with which he lets these diatribes spill. "God - the divine intelligence orbitting and forgotten outside the spacetime donut, God shoots phosphene lasers of sentient infomation that look like Kandinski paintings. From outside, dig? Into the prison. To wake us up. The Naassenes were burned, the Docetists crushed. Origen's been edited out, and we bomb the fuck out of the Sufis whenever they settle down long enough that they might actually start writing something."

At your table Jesse says "Yes. People like her are why we have the sixth protocol."

Compton lowers his arms, and toys with his crushed cup on their table. Letting Jesse tell it how it is.
Jane says, "And the Bulgars, and the Gnostics?"

Jesse, of course, is speaking from that curious transparent place where he doesn't know the difference between 'I went to the library and read VALIS' and 'God shot lasers into my brain.'

"The Gnostics turned invisible and dissapeared." He shrugs. "Prisons are built with stones of Law, Brothels with bricks of Religion. It's all the same game, they just trade hats offstage."

Jane says, "I believe they had a little help..."
Jane says something in a language you don't understand.

Jane says, "To coin a phrase."

Jesse shakes his head no, shrugging.

"I don't know what I think I am, Smitty. But I'm pretty sure you're wrong. I'm not some private school jailyard bully. I didn't learn the cheats just so I could fuck with the sheep, or wage some pointless pretend play war against an enemy I created." He pulls the threadbare brim of his hat low over his eyes. "I'm not a scholar. I'm not writing a term paper. I am the weight swinging at the end of the golden chain. I am the bullet fired from a gun two thousand years old. You're having morning coffee and arguing semantics. I'm trying to figure out the next brick to break." He snorts. "People like you are why we have a sixth protocol."

Compton reaches over, his big and unfolding into a flat palm, and brigs it upside the back of Jesse's head. "Shudup Jes. You talk too much." he says flatly.

Jesse yelps, bringing his hands up to hold the sides of his head. "Ow! Fucker!" He glares at Compton, but slumps in his seat and, blessedly, stops talking.

"Sorry ma'am." the big guy says mollifying, "He's a fucked up lil junk whore. Just ignore him." he's saying this towards Jane, and not the dozing Alyx whose missing all the fun as usual.

Jane says, "Yes... yes, I noticed. Which is a shame, because in there somewhere are some interesting paraphrasings of early medieval heretic mystics." She smiles blandly, "I did my PhD on something not dissimilar. It's nice to hear them in a modern context."

Jesse is sulking. Eyes downcast, studying the stains on his knees. Fingers winding and unwinding. Lips pursed, jaw clenched, a savage frown drawing the sharp angles of his face into jagged relief. He does not, however, make a sound.

Marion comes in off the street following the rich aroma of coffee.
Marion has arrived.

Marion walks in the door and glances around before moving to the counter and placing an order for a White Chocolate Grande Mocha along with a couple of rasberry scones.

Daisy has arrived.

Jesse is sitting, his back to a table, his hat pulled low, glaring down at his knees. Sulking, in other words.

Marion pays for her food and drink, then snags a paper before walking over to an empty table and sitting.

Compton shakes out his hand, and returns to playing with the crumpled coffee cup in front of him.
Alyx seems to be snoozing upright in her seat. Don't expect much there.

Marion sits down at a quiet booth in the back.

Jane is leaned against the counter, sipping coffee, and has apparantly just been talking to the group of misfits, for she is regarding them with a look of faint amusement.
It's a Starbucks. It's just like any Starbucks.

Enter one (1) faux bohemian, beret cocked 45 degrees, cigarette likewise at a 45 degree angle in her mouth, sunglasses, likewise, tilted -- these by virtue of having only one arm, rather than by her choice -- on her head.

One double mocha skinny.

No, you have to call the size by it's Italian name.

It therefore takes Daisy a long time to order, during which sh eidles.

The pencil necked manager that gave Compton a hard time earlier approached the counter where Daisy is standing and says in this weedly little voice, "Excuse me miss? Excuse me? This is a NON-smoking establishment." he sneers, pointing at the red crossed out ciggy icon, and the 'Maximum Fine $5000" printing at the bottom.

Jane glances at her watch, and sighs. "Still, however delightful it is to wander through the garden of bright images, are we not distracting your mind from other, more important, matters?" And with that, she drains her cup, places it on the counter, and starts towards the door.

Jesse looks up. Sees Daisy. Resumes the mumble. "Oi. Daze. My head fucking hurts. Sonny hits too hard. I'm just doing what I'm supposed to. Lunacy. Water. Sun Yun Moon, right? Right. So, the mesc's hitting my fucking Visuddha chakra and everyone's all weird and..." He glances sideways at Compton and abruptly cuts off the ramble, dropping his eyes back to the floor.

Jane walks out into the busy world leaving the rich aroma of Starbucks behind.
Jane has left.

Marion seems oblivious to everything around her as she calmly reads her paper and eats her food.

"I wandered lonely as a cloud, that floats on high o'er vales and hills....when all at once, I saw a crowd...." Alyx murmurs, stirring from her daydream once more, smiling beautificly at those around her. One might almost imagine her to be stoned, except she hasn't been seen taking anything since she entered.

Of cource there's probably enough psycho-actives airating from her table mates, that nothing can be assumed at this point. Compton frowns and crosses his arms again, and mutters somthing akin to an appology to Jesse for manhandling him. As much fun as that sounds, it rarely is.

Jesse shakes his head no, shrugging it off. "Still think she needed a reroll. See how she likes it, she's the one against the wall."

You say, "Not arguing. Just not yet. Pretend Peachy was here."

"Peachy?" Alyx wonders, sipping from her by-now-very-cold coffee, and making a face. "....shit. Someone should invent coffee that dosen't get cold so fucking quickly."

Jesse's mouth opens to respond, then closes again, and he nods. "Right. What would Peaches do?" He frowns. "Prolly sew my lips shut again like last time. You have any idea how much that hurt?"
Marion murmers softly to herself as she turns the page on her paper, shaking her head on occasion as she reads something.

Compton's demeanour lightens some at this, "Ah, you liked it. We all know." and then raises a hand and snaps his fingers in the air a few times, raising his voice towards the peckerwood manager bugging Daisy, "Oh garcon? Service?" he calls out, knowing full well that's not how it usually works in here.

"Wel, maybe. But the whole Xombi show afterward - sewing my clothes shut, turning my pockets inside out... fucking lame. Why doesn't Peachy every have to be the Moonie?" Jesse shakes his head and finishes the last of his coffee. "Where can we go that lets us smoke?"

"The Pot?" Compton says perking up considerably.

"Sure. Dude who owns it wanted to give me a deejaying gig there. Figured I should check it out." Jesse nods. "Actually, we need to get four together and talk about that place. Got a couple of questions I need to ask the egregore about."

Marion glances up from her paper and looks over at the counter person and smiles, tshe stands up and goes back over and hands thecup back and makes hand signs.. which the counter girl returns. She laughs at some extra handsigns she makes and nods. "Oh yes. It does take that many to screw in a lightbulb." she winks.

"Right. Whatever. Sure." Compton agrees with Jesse in short order. Apparently the idea of nekkid dancing ladies is good with him, "Ya think Daze would want to go?" then looks down at Alyx, "Or you? Nothing finer than a chick goin' to a strip club." He says this, which in all likely hood considered a compliment from him, but falls short in to the tactless dustbin.

Marion chuckles and pays for her refill, then wanders back over to her seat and folds the paper over to the comic strips.

"I've already been," Alyx replies brightly to Compton. "Mr Browne is a lovely host, you know. I can really reccomend the place, and yes, I'll tag along."

***At this point we lost most of our cast for OOC reasons. I'm assuming we all went of to the Honey Pot. Compton most likely got loaded, molested one of the dancers, then got thrown in to a dumpster by the bouncers.***

Saturday, March 08, 2003

Esther comes wandering up the street, waving her hand in the air and muttering to herself under her breath.

Downtown - Yonge and King(#200RJ)

The most prominent feature of this intersection is the brand-spanking new Bell Canada Enterprises building. It totally dominates the intersection, towering over all other office complexes, its reflective windows sparkling in the daytime sun. Other notable structures include the Hockey Hall of Fame and the Marche restaurant. BCE Place is often used as a setting for TV or movie film crews, its unique, futuristic architectural design perfect for their purposes. The financial core of Toronto can easily be seen from this spot, located to the west. The many business people are once again seen wandering around like drones going to and from their places of work, and to Union Station to the south.

Contents:

Esther

//.etro: It is 2:54 pm, late afternoon, on Wednesday the 10. day of September, 2008.

Working on a late to-go lunch, Penny wrestles with the wrapper of a gyro as she walks. Wrestles because there are other things in her hands. A map. A small book - a phone book? A hat. A backpack. Heading that way, up the block she struggles for balance or at least a happy medium.

Esther read your description.

Esther wanders up to Penny, looking her over and muttering something about satan. She pushes her cart in front of her. She never lets go of her cart. "Hey! Blondie!"



Ester’s Desc:

This woman is dressed in layer upon layer of old, battered clothes. All of them are dirty. Her hair is pulled into a messy ponytail and is greasy and grungy. She looks to be somewhere in her mid to late forties, though it's hard to tell. She has a very haggard look. She seems quite insane. She talks to, or rather argues with, herself most of the day, and pushes a shopping cart filled with various junk that she's picked out of dumpsters.



Carrying:

Cellphone

Penny knows when people shout, they're generally shouting at her. Hey - what's not to notice, right? Mouthful of bread and dubious meat, Penny might've mumbled a 'hey what' toward Esther but for the unfurling map flapping in the breeze. Her communication somewhat diminished, Penny whaps at the paper til it's flat to her body. She squints, swallowing. She knows there's tsatsiki stuck to her face. She knows it and wears it and doesn't care. "Yeah?"

"Got any spare change?" Esther practically yells, holding out a dirty hand. Her eyes twitch as she greedily eyes all of the things Penny's carrying, then looks back up to Penny's face.

Now she's got this look on her face like 'I didn't get enough of this today?' She starts adjusting her things. Maybe it's Esther's lucky day. That bag does look big enough for some serious necessities. She cants her head to the side and gestures up the block with her chin, hand already in her pocket "Loonie if you tell me where I can get decent poutine, hey?" No such thing as a free meal. Penny isn't a something-for-nothing kinda person.

Eyeing the hand in the pocket. "Yeah..." she mumbles, "Poutine... mm hmm." She nods her head furiously, "Down by the ferry. In the terminal." She motions in the direction of the ferry wildly, her other hand still held out to recieve the change.

Penny thumbflicks the loonie like she'd had practice. Like she's unencumbered. As if she's been faking it, some kind of routine, a ruse all along.

It even makes that 'ting' sound. And you get the distinct feeling as she passes along the universal hand-sign for 'hang loose' and heads toward the docks that you've been had. But didn't she give You the money? Strange chick.

You walk south along Yonge to Front.

Downtown - Yonge and Front(#203RJ)

You walk south along Yonge to Queens Quay.

Waterfront - Yonge and Queens Quay(#1102RJ)

You have just received a +recc from Esther.

You walk over to the Ferry Terminal and step inside.

Island Ferries Terminal

You board the old rickety ferry.

You debark off the ferry when it stops at Centre Island.

Centre Island - Proper

You take a small ferry off Centre Island to go to the Island Airport.

Island Airport



And like … an hour later:

Like every Wednesday evening, the bum known as Turtle Jones is hanging out in King Station over at Yonge and King, playing his old beat up guitar. At least, until the cops chase him away yet again he's there...

Island Airport

You paged Turtle Jones with 'Was I supposed to see that?'.

Turtle Jones pages: If you saw it, yes you were.

You paged Turtle Jones with 'It's just .. I'm nowhere near a subway, as far as I can tell.'.

Turtle Jones pages: It's at King and Yonge.

… … …

You take a small ferry back to Centre Island.

Centre Island - Proper



You board the ferry bound for the main land.



You step back onto the ferry terminal as the boat comes to a stop.

You walk back out to the street.

You walk west along Queens Quay to York.

You walk north along Yonge to Front.

You walk north along Yonge to King.

Downtown - Yonge and King(#200RJ)

The most prominent feature of this intersection is the brand-spanking new Bell Canada Enterprises building. It totally dominates the intersection, towering over all other office complexes, its reflective windows sparkling in the daytime sun. Other notable structures include the Hockey Hall of Fame and the Marche restaurant. BCE Place is often used as a setting for TV or movie film crews, its unique, futuristic architectural design perfect for their purposes. The financial core of Toronto can easily be seen from this spot, located to the west. The many business people are once again seen wandering around like drones going to and from their places of work, and to Union Station to the south.

You enter the King Subway.

Subway - King Station

Dull, cream coloured tiles covers the wall of this station. The linoleum tiled floor stretches out to the yellow plastic warning line where passengers are told not to pass while waiting for a subway train. Subway posters and ads line the walls, framed in metal, protected by a covering of Plexiglas. In the evening, this station is eerily silent and empty. A line of payphones sits on both ends of the north, and south-bound platforms. A separate phone line connects directly with security in case of an emergency. Stairs and escalators lead back up to the street level.

Looking up the stairs, cold rain falls from a grey-black sky without moon or stars. A raw wind blows from the east.

- Type 'ride to ' to use the subway -

- Check the +map for station names and locations -

Contents:
Wednesday
Mary
Turtle Jones


Jesse arrives from Yonge and King.

Jesse has arrived.

Turtle Jones murmurs that his dinner and wine aren't gonna buy themselves and goes back to playing as the crowd switches once the train leaves and more people come in to catch the next one. He strums the guitar. "My baaaaaaaaby she left me, she left me standin' in the raiiin...." He's got a deep scratchy blues voice and his guitar's seen better days but still works great. "My baby she left me, ain't comin' home again..."

Wednesday keeps her semi-apologetic smile up, though her voice lowers in tone just a bit: "I said I was sorry." She pats her last pat with her jacket, satisfied with how 'dry' the fellow is, whether he is or not. "Don't be rude about being blind," she mutters motioning with her head to the poor bum beside them.

Penny tramps down the stairs, messengerbag slung over her shoulder. She looks up above the payphones. There's usually a clock on the wall there. Fucking country. She looks down at her wrist where there is no watch. Fucking thieves. Left, then right again her glances issue quickly, more like an eyes rolling, disgusted. The girl's as harrassed as a person can get, walking on and on through the station. "Hey," bumps into someone "got the time?"

Wednesday is standing in a cluster of people around the bum, standing very close to a rather boorish business man in a wool over coat.

[OOC] Mary says "Sorry about that. Five year old in the middle of the living room making a sandwich seems to mean a big mess to clean up."

Mary looks up, turning to peer over at Penny, then down at her left watch. "It's 8:12, Miss," she offers.

//.etro: It is 8:13 pm, late evening, on Wednesday the 10. day of September, 2008.

Mary Roberts is what could be termed 'a little slip of a thing'. She's not absurdly short, but she's definately several inches below that of most women her age, reaching only 5'3" in height. Her build is slender and reedy, the sort that a mere breeze could well blow over, and though she doesn't seem unhealthy, it does seem as if she could do with a little more food in her on a regular basis. Her hair is long, reaching to about mid-back, its hue a rich mahogany, likely her best feature, what with the highlights of red sparkling in its tresses. Her eyes are cerulean blue, quite pretty save that there's sometimes circles beneath them, as if she didn't get quite enough sleep. Framed by sooty lashes, the eyes are set in a heart-shaped face, with slightly too-pale skin.. along with lack of food and sleep, it seems perhaps she doesn't get enough sun, though there's enough pink in her cheeks that she doesn't look unhealthy.

A brown shirt covers Mary's torso, trimmed with lace at cuff and collar. The shirt is loose, though its cut is flowing, rather than baggy. The sleeves drape at her wrist, an excess of lace-trimmed material left to hang slightly. The collar is v-cut, dipping perhaps a shade lower than most things Mary wears. At the lowest point of the v, a diamond of lace begins, covering her cleavage, though tiny little bits of skin can be seen through the lace. The shirt ends precisely at her waistline, just short enough that flashes of her belly might be seen, were she to lift her arms much. A white corderoy skirt is worn beneath, much more snug than the shirt, falling all the way to her ankles, with slits cut at either side to allow her to move freely. Wrapped around her waist is a brown suede belt, which is tied shut at her left hip, rather than buckled at her waist, with long tassles of suede hanging to about her knee. A pair of brown leather boots are worn on her feet.



Wednesday is named after Odin in English. In the more Latinate languages, it's Mercury's day - a day for messengers, missives, and arrivals. Fitting, then, that it's on Wednesday that Jesse arrives. The Pig Boy will have another apophenic conniption over this. Stretching his gangly frame and baring a wide yawn, the pale wastrel steps off the train and waits as it pulls away behind him. Stray glances are ignored. Yes, he's in drag. No, he's not your problem. Jesse is merely another eyesore to be forgotten, the details of his appearance lost in the heyday of urban sensory overload.

Rolling his weight forward and letting motion overcome his langor, Jesse drifts away from the tracks, moving gracefully despite the platform heels, and slips through the crowd towards the sunburnt wastrel. Thumb and forefinger splay apart, trace opposite circles. Hang loose.

"Penny!"

Two fingers point left, side by side. 'Got a cigarette?' His posture is tired, he slouches to one side, weight shifting under leather and lycra, one thicksoled boot toeing the stained tiles beneath.

Turtle Jones pluck the guitar a bit more and continues singing his blues song, kicking the hat in front of him for emphasis. "Ain't gonna cry no more over a women that's gonna leeeaaavee... My baby she left me, left me out in the cold, cold rain. My baby she took off and left me all alone again. All alone, baby..."

Wednesday doesn't notice any one in drag, although she would get kick out of it if she happened to notice. Just the same, she is busy flipping the bird behind the back of the asshole business man as he walks away, still fuming.

Once satisfied with her f-off to the upper-middle class, Wednesday drops a crumpled up bill into Turtle's hat.

Turtle Jones read your description.

Wednesday read your description.

Penny says, in Enochian, "Full of grace meets full of woe and the two are oddly matched - one so pale and one so primed. Peace. Got a *********. ********* here, two fingers flat to the button of her pocket. Flicks it open and hands one over. It's ******** she's smiling, Penny is. It is also ******** that she is ********. What is most evident is that her skin does not allow for the full range of emotion to issue forth. That is pain, that is ********** for the ***********. "Where's Eva?" ... she looks past Jesse and it's unclear what she's ******** on; the ********, the guitar-man, the air we breathe. "*********'s wrong," she walks the "drag queen" around the crowd, voice low "for her not to be here before us? I hate this country. Why are we here again?" ********, come to think of it - that's a whine."

[OOC] Jesse doesn't think that worked.

[OOC] Penny says "Not so much, huh?"

[OOC] Mary grins.

[OOC] Wednesday ?'s

Jesse reaches into his purse, and withdraws a cigarette. Sith a grave and solemn mien, the skeletal queen shakes a Lucky Strike free and offers it over, accepting one in return. He leans forwards to plant a kiss on each of Penny's cheeks, murmuring He mutters to Penny. .

He shifts his weight back again, no mean feat on heels like those, and lets his ruby-tinged attention wander over the terminal, boa absently twirling at the lace-gloved ends of spidery fingertips. Watching the teenage flag flown, he rewards Wednesday's efforts with a tilt of his head and a smile, the boa dropped as he snaps at the brim of his hat in salute. His attention crosscuts back to Penny and with a sudden look of urgency, he leans forward once more. "Got a new stencil. JCs posse. Ready to go bombing?"

You sense Jesse reaches into his purse, and withdraws a cigarette. Sith a grave and solemn mien, the skeletal queen shakes a Lucky Strike free and offers it over, accepting one in return. He leans forwards to plant a kiss on each of Penny's cheeks, murmuring "You holding?".

He shifts his weight back again, no mean feat on heels like those, and lets his ruby-tinged attention wander over the terminal, boa absently twirling at the lace-gloved ends of spidery fingertips. Watching the teenage flag flown, he rewards Wednesday's efforts with a tilt of his head and a smile, the boa dropped as he snaps at the brim of his hat in salute. His attention crosscuts back to Penny and with a sudden look of urgency, he leans forward once more. "Got a new stencil. JCs posse. Ready to go bombing?"

[OOC] Jesse says "Hm."
[OOC] Jesse says "Apparently, Mutter is also weird. That last bit? That's muttered."

Mary turns her head to the side, and winds up just sort of.. staring at Jesse, with this odd, sort of chagrinned look, like she's torn in equal parts between shock, amusement, and downright appreciation for the Elvis-twin's audacity or bravery.

Wednesday looks up from her precision drop of currency just in time to catch the tail end of Jesse's salute. Rather than being pleased, curiously, she looks momentarily mortified before some semblence of recognition crosses her face and a faint twinkle in her eye gathers.

Turtle Jones spies Jesse and switches to a blues version of an Elvis song. Since he's half blind, he has to squint a bit. "Don't step on my bluuuuuuuuueeeeeee suede shooooooes... no no no..."

Penny coughs politely, really she's choking on something. Laughter. The song. She says, in Enochian, "Of course I am. We should make the monkey do it."

//.etro: Jesse rolls "dexterity + streetwise" at diff 6

For a total of 5 success(es) including 1 ten(s).

"Eva's sulking over something. You think I wanted to take the fucking train? Just don't tell her or I'll be on carnation duty for a month." Elvis follows the sunscorched penitent through the crowds, attracting a good deal less attention than you'd think. People just don't want to be bothered. One arm drapes across Penny's shoulders. The other wanders at his side as they drift, fluid and subtle movements contrasted against the grandiose gestures you'd expect. Trained eyes might catch the quick darting of fingers into and out of pockets that aren't his, or the side pocket of his purse made for surreptitious depositings. But he's very, very good at this. Abruptly, he switches into a foreign language for a few gutteral phrases, then back again. "And tell me we're trading soon. I swear if I get stuck in the heels one more time I'm going to lose it. Why doesn't Pig Boy ever get drag duty?"

Jesse says, in Enochian, "What's the static about? Pig boy and miss *********** did what?"

Wednesday's eyes never leave the form of the drag queen bandit, but has he weaves out through the crowd she has to stand up on turtle's bench just the watch him. She whistles through her teeth, then hops down from the bench, and quietly makes herself into a shadow of Jesse, some 20 meters down the way.

Mary's one of those people that seems to be bothered, for she just keeps on staring, head turning to track Penny and Jesse as they move through the crowd. For a few moments, anyway, before she sighs, shoulders hunching up just a bit. She steps forward and crouches down to drop a bill into the case.. a purple one, with a 10 on it - then straightens, and steps back again, turning away.

Ooo, a what a tip! Too bad Wednesday was looking the other way. Why does such generosity always go unrewarded?

Penny says, in Enochian, "Honestly?" her arm slips around his waist where the skirt starts. They're funny looking, true, but pretty. I think he trades with Inscrutable. I think they do it," emphasis on the do it, "and then he says Would you? and she says Fuck yeah. No different than his homework. And do you really wanna see Piggy in a dress?" Penny looks at Jesse squarely, they're about the same height..or would be if not for those heels making a telephone-pole of him "No. You don't." Her fingers loop something into and out of another pocket, a backup plan maybe, and guides them nearer to the crowd again.

She nods up, should we put something in the hat? "No idea what that's about. Never picked up that kind of crap back in the states. Maybe he pissed off a cop.." Penny shrugs in a way that loosens her jacket everywhere, seems to hang on her now "Anyway I hope she gets over it. I miss her. I'm tired of staying at the Holiday Inn. It's a dump and there's no servicable room service and I'm hurt and I want my own fucking bathroom with my own fucking cabinet and my bed. I want my bed." Seething now, Penny's eyes close and her free hand pushes at something beneath the dreads "And I'm gonna fuck up that monkey for giving me that crap. I woke up *in the fucking desert*."

Turtle Jones has disconnected.

Turtle Jones has connected.

[OOC] Turtle Jones smacks her connection. Sorry.

[OOC] Turtle Jones got locked up a lil bit ago.

[OOC] Wednesday patpats

[OOC] Penny says "Forgiven. You want what you missed? Did you miss anything?"

If Rule 1 is never cop in a dress, the admonition against lifting wallets in drag must have gone unspoken. Which is a shame, seeing as how Jesse could have used the lesson. But, really, who's going to suspect?

He's leaning over Penny, murmuring something in that same strange language, and his attention is drawn on bringing the lit match to the cigarette at his lips. Utterly unmindful of his newfound shadow.

[OOC] Turtle Jones locked up when Penny caughed about the song.

Jesse says, in Enochian, "Heard about the desert. Glad to see you back. Float me some dope and lemme go fix?"

[OOC] Turtle Jones says "er coughed"

[OOC] Jesse can cut and paste a minilog to email?

[OOC] Turtle Jones says "Just a summary would be cool :)"

[OOC] Penny says "Okay well. We're walking and talking and Penny's pissed and Jesse's trying to light his cigarette and now we're near you thinking about putting something into the hat with Wednesday the shadow behind us."
[OOC] Jesse picked someone's pocket, Wednesday started following us, we're speaking in a foreign language.

Elvis in drag.

No, really. Not "Wow, he almost looks like ..." or "He reminds me of ..." but "He looks exactly like ..." If Elvis were still twenty, and had spent the last ten years supplementing his Atkins diet with intravenous narcotics. Lean and wiry, the blade of his silhouette cuts a swath somewhere just above the six foot mark without the heels. He might weigh one seventy soaking wet. Sickly and frail, this is a young man in dire need of a hot meal and a good night's sleep. In another time and another place he would have seemed consumptive. Today, the word conjured by his ashen pallor and languid movements is junky.

The drag is neither convincing nor customary - it seems to strive for androgyny instead. A black rhinestone cowboy hat is pulled low over red-lensed Jackie O glasses, obscuring his eyes and casting shadows of doubt over that famous visage. Blue-black hair in a classic bob-cut curls around the angles of his jaw. The carefully sculpted lines of rouge make his cheeks seem sharper, and the ring in the corner of his scarlet painted lips distorts their line into a pale, sullen and anemic sneer.

A black sheer shirt with red lycra accents across the shoulders cocoons his bony form in its synthetic embrace. Over it, a single, blank white pin is a lone decoration on the lapel of a tight waisted riding jacket from Gaultier's line two years back. Beneath it, a black brassiere preserves a modicum of modesty, but displays the swarm of tattoos down the length of his gaunt torso. The riding coat's long cuffs meet a pair of matched spiked bracelets, and black lace gloves.

The red boa circling his throat trails down under the jacket, dangling down to where a black leather miniskirt rides low on his hips, parting from the border of his shirt to show occasional glimpses of fishbelly-pale skin marred by dark swarming ink. A black snakeskin belt, decorated with chrome skulls, is fastened with a faux-ruby crucifix over his left hip, and torn fishnets ride the length of his long legs down to the buckles of a pair of platform, high heeled Prada squaretoed boots. A black rubber baby-sized backpack dangles offhandedly from his shoulder, and a wire trails from its depths to the oversized headphones around his neck.

[OOC] Mary puta 10 in Turtle's case and is turning to leave.

[OOC] Turtle Jones says "Wait, yuo picked someone's pocket?"

[OOC] Turtle Jones says "Hang on, afk a sec"

[OOC] Jesse hangs on.

Wednesday taps her umbrella playfully with the tips of her shoes as she strolls down along the walkway. Its all so wonderfully nonchalant that she even catches the smile of some annonymous, flirtations busy-body on his way to a train. She returns it just in brief and continues.

[OOC] Penny says "He rolled for it. 5 successes."

Penny says, in Enochian, "Check your left breast pocket." She's a clever girl. Put it there pedant la bise."

[OOC] Turtle Jones says "Okay, sorry, my boss called me afk to help him."

A gust from an oncoming train interrupts the match Jesse's trying to get at. And really, Penny should be doing that anyway. That's her job today, providing for the arrivals. She pulls out a ridiculous looking lighter - something zippo might make if there were a universal market for the little bit of Liberace in everyone - its rhinestones sparkle and the flame stays put in three single blue lines. "I don't even think they're here, to tell you the truth. Why hide, right?"

[OOC] Turtle Jones is in backscroll from when she was afk. Jesse, what's with all the dex+streetwise rolls?

[OOC] Turtle Jones says "....What does streetwise have to do with it?"

[OOC] Wednesday remembers in 2 Ed. streetwise covered such dirty street deeds as pickpocketing.

[OOC] Wednesday says "or at least I think."

[OOC] Jesse shrugs. It seemed appropriate, nobody objected.
[OOC] Jesse says "If it's a problem, we can drop the whole "Jesse picked a pocket" thing and just carry on."
[OOC] Wednesday says "although, I like wear that leads me."

[OOC] Turtle Jones is sorry she's a bit out of it. She got locked up and had to relog in and then being afk... Okay uhm, as far as what I've always known, Streetwise meant what was going in in black markets, underground, etc. ON the streets. Not an ability used for crime.
[OOC] Jesse nods. 'tever. We'll set something else up. So, then, Jesse did not pick a pocket. He merely swapped cigarettes and went to the bathroom.

[OOC] Mary thought there was an actual pickpocketing skill. Or.. am I on crack again?
[OOC] Wednesday says "it /is/ a talent. Pickpocketing is a secondary, which, means it can technically be covered under a primary. but its up to the good ol' staffer."

[OOC] Penny says "Right."

[OOC] Mary whews. Ok. Not on crack.

Ever wonder? Now you know. Between banks of pay phones stand two doors, labelled clearly. Jesse walks past the XX door, and pushes open the XY. Thankfully it's not rush hour.

Time passes. It's taking a while.

Jesse re-emerges from the bathroom, unsteady on his heels. His arm, again, finds purchase across Penny's shoulders, but now a bit more support seems to be asked of them, as the lanky caricature drapes in place beside her. A fresh cigarette, unlit, dangles from the smudged lines of his lips.

"Boring, Sidney, boring. Fuck this place. Let's go find trouble."

[OOC] Turtle Jones says "Okay, just an FYI... I'm going to be banning pickpocketing NPCs unless a staff person judges it. In fact, all pickpocketings need to be rolled out, but not judged between two PCs unless you feel it necessary. You shouldn't need a judge for every little thing, after all. This is just because of the high high level of petty crime like pickpocketing that is going on and the cops busting down on it."

[OOC] Turtle Jones says "Just an FYI heads up for you guys."

[OOC] Wednesday nods and will play nice. :)

[OOC] Jesse says "Appreciate the help."

[OOC] Mary says "Gotcha."

"Oooooooh you ain't... you ain't nothing but a hound dog." dum dum dum dum. Turtle Jones seems to stick to one main chord through most of his songs. "No baby, you ain't. Noooooothing. Nothing but a hound dog." He kicks the hat with his foot lightly. "Please give freely, my friends. This is, as they say, the last call."

The long bathroom break -- Wednesday occupies her time with a snack vendor, musing over the nutty-butty bars and kit kats, until Jesse emerges and she decides on...oh, lets say Skittles .

Mary, having just deposited her 10 in the hat, backs up, turns, and starts heading out at a trot, heading for the street level.. she's dawdled here long enough, after all. Up she goes.. and out.

Mary walks up the flight of stairs back to street level.

Mary has left.

Turtle Jones plays a flourish on the guitar and then pats it lovingly. "Good girl, Bessy. Let's see what we got ourselves." He bends to get the hat.

In the meantime, Penny's flicked a loonie into the busker's hat. Loonie. Who calls their money crazy? Canadians. Good thing she kept the lighter out. Flick, nudging Jesse reminding him this is the part where you're supposed to inhale.

Penny says, in Enochian, "Boring, boring." Heaving his weight so that he might carry himself better, Penny shifts under Jesse's arm and starts out on the right foot. "Yeah, come on. Read my future for me.""

Jesse puffs listlessly at the cigarette, dragging his feet towards the stairs. He says, in Enochian, "Fuck the future." Spoken around his cigarette, its end dancing as he speaks. He says, in Enochian, "Noisy fucking nosy shit, it is." He reaches one hand up to plant it squarely atop his hat, ensuring the rhinestone-studded stetson will not be lost in his ascent. He says, in Enochian, "...here to break everything, and ruin their lives."

You walk up the flight of stairs back to street level.

Downtown - Yonge and King(#200RJ)

The most prominent feature of this intersection is the brand-spanking new Bell Canada Enterprises building. It totally dominates the intersection, towering over all other office complexes, its reflective windows sparkling in the daytime sun. Other notable structures include the Hockey Hall of Fame and the Marche restaurant. BCE Place is often used as a setting for TV or movie film crews, its unique, futuristic architectural design perfect for their purposes. The financial core of Toronto can easily be seen from this spot, located to the west. The many business people are once again seen wandering around like drones going to and from their places of work, and to Union Station to the south.

Jesse arrives from the King station stairwell.

Jesse has arrived.

From afar, Jesse's purse may be snatched. Hang on.

You paged Jesse with 'Ngg.’

Jesse pages: No, Wednesday - I just picked the pocket to hook her into RP, but since it got retconned, she may not rob me.

Long distance to Jesse: Penny laughs, "Can people rob us?"

You have just received a +recc from Portia.

Wednesday arrives from the King station stairwell.

Wednesday has arrived.

Jesse pages: Purse is being snatched on the stairs. Brace for it.

You paged Jesse with 'Should I roll something to kick her ass or what..'.

From afar, Jesse dunnos, let's see what she does.

Jesse and Penny are making their slow way up the stairs.


Slow. Real slow. Misanthropically slow. They are spending near to an eternity getting up the stairs. Right, left. Right, left.


Mesozoically slow.



Wednesday slips on her coat and draws a long breath and shakes off a few jitters. She readies her weapons of choice: the umbrella and the bag of skittles she just bought from the vender in one hand and free's the other. She lurches into a trot, then a jog, then *BAM!* The nab, her hand aimed and coiled around the strap she takes off up the stairs.

[OOC] Wednesday says "oh shush"

_______________________ //.etro: Toronto by Night ____________________

Streetwise

_______________________________________________________________________

Wednesday:

A runaway

She can pickpockets pretty well

She knows a fence who buys stolen credit cards and other items

_______________________________________________________________________

[OOC] Wednesday P

Penny could let Jesse teeter and fall but she takes a breath to steady him. Yes, that's how well they know eachother - they can compensate for eachother better than scales. Then takes off up the stairs after the kid. Doesn't bother yelling, it'd only confuse other people and the goal is to nab just the one.

Killjoy. Jesse's head slams into the steps, blood exploding from his nostrils. Ruin a perfectly good high, why doncha? As Penny departs already in motion, Jesse regains his footing in a crouch, all liquid muscle and seething tendons now, as he straightens himself and quite deliberately continues to climb. Now, he's moving of his own accord, with painstakingly controlled tension convulsing through his limbs. One trembling hand drift along the banister, the other has retrieved his blood-flecked cigarette from the stair and is occupied with bringing it to and from his twisted mouth. The blood, flowing freely from his nose, is left unchecked; twin streams of it divide at his lips and draw a horrible fu manchu against the pallid white of his ashen skin.

He continues, then, to climb.



Though she is of a light complexion, almost alabaster, there's a glow to this girl's face, be it in a jubilant expression or lost in more quiet concerns, or some shine of her hair or eye, that dispells the general pallor of her skin and keeps it from appearing sickly--most of the time at least. Her eyebrows are thin and finely rounded in curves that beframe her shapely, gold-speckled eyes. So too, her cheeks and brow and whisp of chin seem expressed as simple but elegant accessories. If only she would sleep off those bags beneath her eyes, those unsightly dark circles she might completely pull of that look of naive youth. Unfortunately, she comes off looking strangely distant, weary. Her hair is a dark auburn, almost black. It is swooping but falls straight, twisting in careful locks around her shoulders. Somehow, her hair puts unnecessary accent on the very thinness of her neck, colar, wrists, waist, hips and all, making her look a bit too thin--much too thin at times.

Today, Wednesday is dressed in comfortable, practical attire. She wears a pair of black linen trousers. They are rolled at the cuffs where the material touches the fake leather of her canvas tennis shoes. She wears, also, a long sleeve shirt of a cheery pastel color, a tweed bracelet, and a three silvery chains about her neck.

Wednesday is unnerved by the fact that no one even bothered to yell. Idiots--people who haven't been through this, yell. These people *didn't* yell. Fuck. On the first and only level break between steps, Wednesday lifts the bag of skittles up into the air--why not?--and RIPS it wide open. Those Little round -slippery- buggers fly out everywhere, scatter on the tile..

Penny says, in Enochian, "Fucking STAY there." Doesn't need to look, has eyes in the back of her head. Dead serious, scary serious. She's got twice the leg this kid Wednesday does and knows how to use every inch to get the jump on her.

Oh and skittles aren't exactly hard to walk on. They *squish* just like chewing gum when you *step* on them in big, flat-soled boots - as is evident on every city block in every country everywhere in the world.

The sunburnt blonde is coming to get you.

Why couldn't you get the GOBSTOPPERS, Wednesday?! Make a mental note, girl. Next time, next time. For now, just RUN. That woman didn't look like the donut eating-type. Run run run! Wednesday makes it to the top of the stairs, running past startled on-lookers who can't put it all together fast enough.

It is possible to run in heels. With practice, you can do it. It's rarely pretty. Jesse is not practiced, and so opts for the elegant solution of the stroll. Penny is chasing. Jesse is in slow and careful pursuit. Skittles crunch under the flat soles of his platform boots. The blood is now smeared, a ghastly sticky kool aid smile and an eerie patch of wet on the boa. God forbid you stained the jacket. Passerby freeze for a moment at the sight of him, and he is not above taking advantage of the situation. A samsonite briefcase is commandeered, and the wraithly form pivots in place, discus-style.

"Penny. Down."

He lashes out with all the gangly length of his arm, making an atlatl of his elbow as he sends the luggage flying up at the dissapearing thief.


[OOC] Jesse isn't sure what to roll, here.

[OOC] Wednesday says "I'd say dex + athletics?"

[OOC] Wednesday says "unless you have some Throw in there."

[OOC] Jesse says "vs?"

[OOC] Wednesday says "ah...goood question. I can't see you throw it so at least there's no dodge, but she is running at top speed away from you. 7 or 8?"

//.etro: Jesse rolls "dexterity + athletics" at diff 8

For a total of 0 success(es).
[OOC] Jesse says "Curses."

[OOC] Wednesday says "phews! :)"

[OOC] Wednesday says "comes down to Penny and Wendy then."

Ryo arrives from the south.

Ryo has arrived.

Ryo comes strolling along, his walking stick occasionally taps the ground with the soft sound of wood on cement.

From out of the subway stairway, Wednesday is running at TOP speed away from Penny. She's carrying a purse in arm and a briefcase is flying past her.

[OOC] Ryo says "as if the case was thrown?"

[OOC] Jesse nods

[OOC] Wednesday nods, "Yup."

[OOC] Wednesday says "thrown from behind her."

Penny dodges right but doesn't slow down. Lips pressed into a tight line, people can hear her muttering in that other language. God and Jesse only know what it is she's saying. Penny is making her presence felt on all sides and people are getting out of her way.

Here she comes, Wednesday. All hot for you.

Penny's arms are stretched out, Penny's arms are longer than the law. Her hands get a hold on the thief's shirt-collar and necklaces.

And she yanks.


Ryo moves pretty damned fast for an old guy. He takes it upon himself to see what the heck is going on as he sprints towards the duo, stick in hand.

Jesse is a bloody mess.

A six foot pole-skinny drag queen who looks like Elvis, pale as death and twice as angry. He climbs the stairs slowly, seething and coiled, blood issuing from his nose and smeared across the pallid reaches of his mouth and chin.

Wednesday *gasps* as she's suddenly choked on the force of her own momentum and brutal pull of the other woman. Her feet kick out from under her, fly up into the air, and send her dropping straight onto her back. This knocks the /rest/ of the air out of the poor girl. Scramble or breath? She doesn't have much time to make the decision. She chooses to breath, sucking back air in a terrible 'huuuuuh' sound.

Ryo pulls out his cell phone even as he slows to s stop not more than maybe twelve feet from the rukus. One hand remains on his walking stick as the other punches three numbers. *beep* *beep* *beep* He stops with his finger poised over the 'send' button,"What is going on here?!"

Arriving beside Ryo, Jesse waves the end of his boa (the end not soaked in his own blood and mucus). "Street Theater." He holds out a hand. "Donate to Artists against Fascist Modernity, sir?"

Penny whistles through her teeth. Not nearly as terrible as it's going to be. Penny didn't even break a sweat. She adjusts her grip, dragging the necklaces and shirt into a tight fist on top of Wednesday, straddling the girl. She says, in Enochian, "Take care of that, hey Jes?" nodding toward the old man with the cane. The blonde begins to kneel down, right knee to the pavement, left boot lurching upwards into the girl's armpit. She gets low, nose to nose with her and hisses She says, in Enochian, "My name is Penny Ante. And you do not steal from me. Ever."

Of course its, useless in these sort of unlikely situations, but instinct drives Wednesday's foot toward Penny's crotch before the leg is subdued. Predictable results. Wednesday doesn't respond to whatever language is spoken, she just tries to lift her body up with all her might--which isn't a whole lot.

"English, Penn." Jesse licks his bloody fingers. "Corn syrup and red number five." He offers them over to Ryo, for a taste. "Sure you wouldn't like to donate? Or help out? We're staging something next month that I think you'd be perfect for." The other hand reaches out, prods the older man's bicep, gently. "Mmm. Perfect. Quite."


Wednesday says, "HELP!" Wednesday screams at Ryo."

"HELP!" Wednesday screams at Ryo.


Ryo doesn't pause any longer. His thumb twitches *beep* 'send',"I'm calling the police to get this settled." he says as he backs out of Jesse's reach.


Jesse says, in Enochian, "Rig's in the bag. Ditch ******** you have."


Penny looks up at Ryo and winks, distinctly at him. That kind of look from that kind of woman? should be enough to convince any man she a) wants him or b) wants his approval ..however brief it may be. But her attention returns to Wednesday's writhing "Good, good. That'll do."

Jesse says, "Let her go, Penny. The police will be here, soon." He shrugs, and uses the end of his boa to wipe at the blood on his face, adjusts his sunglasses, and replaces his hat atop his head. "Whoever she stole the bag from, I'm sure she'll come forward."


[OOC] Ryo says "having trouble getting a staffer to play a copl"

[OOC] Jesse nods. I'm having a bad staff karma day.


Ryo motions the stick to indicate Jesse and Penny,"You two are staying here."


She hisses again, menace murdering her english into a subdued whisper "My name is Penny Ante. And you do not steal from me. Ever. Understand?" She waits another moment. "Nod if you understand and I'll let you go."

Jesse blinks, letting his glasses slide down the length of his nose so he can stare, with blood shot eyes, over them and at the old man. "Excuse me?"

She fights still, but at Jesse's word's, Wednesday slumps. She lets a moment pass in spite before she nods slowly at Penny. She can't look her in the eye.


Ryo picks up his cellular phone and begins to dial.

Ryo says, "That's right, you two aren't going anywhere."

Ryo says, "not till the police can get this figured out."


[OOC] Jesse'd like staff at this point.

[OOC] Ryo says "I'm actually calling miranda on my cell."

[OOC] Ryo says "or are you talking tms?"

[OOC] Jesse isn't sure, I'd just like to speak to the staffer involved.

[OOC] Jesse says "Miranda's doing it?"

[OOC] Ryo says "yeah..talk to miranada."

[OOC] Ryo says "afk for like 3mins."


And like that, the rehearsal is over.

Penny lifts herself up from that crouch with particular attention to two things - Wednesday's downcast eyes and the bag, the latter she picks up and collects as something familiar to her; as someone that owns, protects and keeps. "Thank you," her smile a sliver, her words uttered like instructions. Exeunt.


[OOC] Jesse says "What?"

//.etro: It is 11:30 pm, late night, on Wednesday the 10. day of September, 2008.

[OOC] Jesse says "Listen, I don't mean to be rude, but what the hell is with people interrupting RP, saying "Hang On," and going OOC? This is my first scene IC, and that's twice it's happened."

[OOC] Penny says "I dunno man. I definitely don't get it."

[OOC] Wednesday shrugs, "it happens. RL has a way of breaking into RP. My first scene IC too, by the way."

[OOC] Ryo says "back"

Wednesday is slow to get up. She nurses her injury--some dull pain along her back--as she gets to her feet. Her eyes dart between Penny, Ryo, and Jesse, not sure how to play the scene, wondering if she should run or not. The tension in her muscles show her confusion.

(Directed into the phone) Ryo says "yes."

Devard arrives from the east.

Devard has arrived.

Jesse says, in Enochian, "Chir Iki Tik lesser ******** of ************** and ********* to the loa of the new city ward that phone from its ********?"

Daisy arrives from the south.

Daisy has arrived.


Jesse, blood smeared across his mouth and chin from a bloody nose, is glaring at Ryo and speaking in the language in which he and Penny have been communicating.


Wednesday is just getting up from the ground, clothes a little tossed and scuffed. She stands, not entirely confidently, near Penny.

Ryo glares at Wednesday as her muscles tense for a possible run. His voice is menacing,"Don't move."


Daisy is late.

This is a statement of general fact rather than of current circumstances. Daisy is late to work, late to class, late to bloom, late to bed and, likewise, late to rise. She is, apparently, here to pick someone up, but is rather late to that as well.

About a block south of here, travelling at a bouncing jog, she's coming up the street, looking frantically about for something or another.


Devard is bored. This, too, is a general state of affairs, as he meanders up from the west. However, what he sees ahead of him loos downright Fun! Let's go watch, Shall we? A.. predatory grin, and he alters course for the incipient fight.


Wednesday locks eyes with Ryo. Some desperation begins to seep out from behind her demeanor. She swallows, looks to Jesse for any kind of cue.


Jesse shrugs at Ryo and turns his back on the man, walking over to offer Wednesday a hand up. "I hate this script. We need a better ending."


Penny says, in Enochian, "DAZE" Her voice authoratative and welcoming. That person there belongs here. Those movements, these seconds come apart as Penny catches sight of Daisy and positions herself as one set downstage. "You get all that on tape? I think we need to rework some blocking here.."


Devard has reconnected.

Devard has partially disconnected.


It's not difficult to find the people she's looking for: they are, as usual, clustered in a loose bunch and looking for trouble. Pulling up beside them, she gestures.

Wave hello. Hang loose. Want a cigarette?


Devard has reconnected.

Devard has partially disconnected.

Devard has reconnected.

Devard has partially disconnected.

Devard has reconnected.

Devard has partially disconnected.

Devard has reconnected.

Devard has partially disconnected.

Devard has reconnected.

Devard has partially disconnected.

Devard has reconnected.

[OOC] Devard snarls.

Devard has partially disconnected.


A smile breaches Wednesday's face like sudden light through a cracked door. She nods quickly, disjointedly. "Yeah. A happy one." Her laugh curls up.


He pulls Wednesday to her feet, nods, then lights a cigarette and turns to grin at the raver who has turned up. "Oi, Daze." Peace. Got a cigarette? His hand moves through the greeting gesture by rote, absently. "How'd it look? You think the blood's real enough?" Jesse plucks the cigarette from his lips and offers it to her.


Ryo can't seem to get a signal on his phone, but narrows his gaze at Jesse and Penny,"Be on your way will-workers." he says, no sign of fear in his voice.

Devard quirks a brow at Ryo's words. "Ahem." he says, as he stops nearby. "Perhhaps I can be of some assistance in Mediation?"


Wednesday straightens up her back, stands proud, waves her hands like the winding of a toy dancer. At Ryo's words, and the lowering of his phone, she begins to make a bee-line to...well, anywhere that *isn't* here. She smiles politely at Ryo as she passes, and tries only a moment's sheepish glance back at Penny.


Penny says, in Enochian, "Stupid fucking kids." Penny mimes Jesse's wave and relights the cigarette for Daisy; went out after too much mashing and fake-blood got in the way. "You're late, too." She looks at the girl as if to say What's the story, mornin'glory? "I got here just in time.""

Miranda arrives from the north.

Miranda has arrived.

[OOC] Miranda says "Just ignore me...watching the scene as a storyteller type."

Jesse is, at this point, ignoring Ryo. He leans in to plant a bloody peck on Daisy's cheek. "Inscrutable." Straightens. Stretches. Adjusts his hat. "What in god's name are we doing here? It's freezing. Penny. English, please."

"Looked great," Daisy says confidently. "Shit. Now where's she going?"

One hand darts to her pocket, pulls a cigarette, offers it to Jesse. Her expression is fixed into straight-arrow neutrality, though her forehead is wrinkled into nestred chevrons of worry.

A beat passes, and she adds, "and who the fuck is the jap?"

Ryo gives chase to the fleeing woman. Maybe he wants some answers.

Wednesday just...walks. Footsteps. Is that some one coming up behind her? Keep walking. Keep walking. She doesn't turn to face Ryo until he's right up next to her. She looks up.

Jesse shrugs languidly, gesturing with the cigarette taken from Daisy. "Him? Dunno. Just some whatever. Didn't like the scene, I don't think." He calls over. "Sir? Was it the dialogue or the acting?" A blink, a frown. "Sir? Pleased not to be harassment of the actrissings. Expressley verbotened by the mnngt."

Compton arrives from the south.

Compton has arrived.

Devard blinks. He's being ignored! Sheesh. You walk up to a fight, offer to help them cool it.. and they run away. Figures. So, he just stands there, watching. Hey, He's a totally innocent bystander!

Yeah, the old man with the cane, running. After a kid. That's funny. Really - should get that on tape, too. Penny hasn't even checked the contents of the bag yet. "Sorry. Right - it's fucking freezing. Let's find a diner? Do they have diners in this country?"

Compton plods along the west side of hte street, his hand shoved deeply in to this pockets and his head hung low. A grimice planted on his face.

Jesse is pointing, when Compton arrives, at the departing form of Wednesday, trying to skulk, and at the Nipponese gentleman chasing her. "Fuck Diners. What bar have we colonized?"

You have just received a +recc from Ryo.

Alyx has arrived.

Wednesday walks east along King to Church.

Wednesday has left.
[OOC] Alyx lets curiosity get the better of her. So, rar.

Ryo walks east along King to Church.

Ryo has left.

[OOC] Devard cackles.

Wednesday pages: Well that was fun. :) See you around town.

You paged Wednesday with '-Yes- it was. Look forward to it :)'.

"Fuck bars," Daisy responds casually, her carefully practiced neturality swinging upward into a half-grin. "Fuck bars entirely. You got to see this video me and Hiro made. Better than the Real World. Better than Iron Chef. Better than anything."

With her free hand, she shoves back a few lank strands of black hair.

"Except maybe that thing you did in Nevada with following Good Master Thompson," she amends. "Dju you ever get that car out of the ravine?"

Comptonstomps up to Jesse and Penny, and drags a hand from his pants and check a digital watch and scowles at it, "Jesus, what you guys doing? Been waiting for 40 minutes." he states clearly, scoweling at the lot.

She just has to turn around. Jesse's pointing "Hey what'd that guy say to you anyway?" And oh lord, things are getting interesting. "Old fuckin'man." Penny can't grin but she can whistle at Compton just to make him feel funny. "Where the hell have you people been?" ... wait, that might explain it .. "You were at the wrong station. Weren't you. This isn't like the Bart, C."

Alyx read your description.


Pause. More blinking. He Just.. Grins at Daisy, not really caring if she's looking his way or not. "Hey, How's hiro doing? You two get your laundry done?" Devard calls out. yes, He's butting in. He /said /he was bored. "I've got some stuff that might interest the pair of you.."

"Pobs said Union" the old guy (Compton) gruffs.

Compton jerks his thumb back over his shoulder, south-like, "Fucking Hummers 4 blocks down>" he says, "Didn't want to have to move it again."


Someone else comes a-strolling down the street, chatting quietly on her cellphone. That someone, however, rings off when she spies a group of quasi-familiar people down the way, tucking aforementioned technology into her bag and shrugging that back onto her shoulder.

Alyx lifts a hand in mute wave towards Daisy and Hiro, apparently unconcerned that it's the dead of night, and she's out walking on her own.

[OOC] Daisy says "Compton, not Hiro. :) Yes, I know Daisy and Hiro are always together. Unfortunately, he's not here right now."

You say, "When isn't Pobs on something, old man.." she hugs him even as she chastizes him. "Really. Are we situated yet? Or are we all staying at the Holiday Inn without knowing it..""

[OOC] Alyx says "Comp. I am so conused. Him. :>"

[OOC] Alyx says "Old guy. :>"

"Pobs," Daisy says, gesturing with the tip of her cigarette toward Compton, "is a git. An utter git. If I trusted him, I'd be waiting on Union with my thumb up my ass."

[OOC] Jesse, drag queen, elvis. Daisy, raver. Penny, sunburned, hippy.

[OOC] Alyx says "I swear, the cat drags in something new every day 0:)"

[OOC] Penny says "Eat me, not a hippy."

[OOC] Daisy says "Call me a raver IC, and you get the shiv, Jesse."


Compton patpats Penny on the back, looking like an Uncle afraid of getting caught on camera with his neice, "Rose Motel's cheaper" he replys.

Jesse says, in Enochian, "Nip had a weird *********. Astrals all freaky and glowy. left trails and shit. Lets keep an eye on him."

[OOC] Devard,Bored magician. Don't forget /that/. :p

Jesse pulls his attention back from the east, and shrugs, letting his rose colored attention pan across the motley cast as his pale, blood-smeared face twists into a crooked grin. "Who's sorted?"

Penny seethes, spits "I *trusted* that fucking *monkey* and look what it got me." She's talking about her sunburn and the dreads. "I'm going to spit Dave, roast him and eat him. While Pobble watches."

Upon getting close enough, Alyx interjects mildly, "Maybe without Dave, I could actually get some sense out of Dr Steve." A bright, almost saccharine smile is offered towards Epnny and Jesse, before she asides to Daisy, "S'up?"

Jesse has/had a bloody nose, y'see. And it smeared all over. Look sort of ghastly, I do.

Well. Devard wouldn't say that. Best not to Inquire. Yay! /another /familiar face. "What, Alyx? You know /another/ Dave?" he grins, taking a few steps towards her. "No rose at the moment, Alas. Friends of yours?"

Jesse slaps his wrist, suddenly, where his watch is under his coat, and looks around intently.

"I get the first bite, on account of Dave keeps trying to touch me while I'm asleep," Daisy mumbles, taking a deep, aggrieved drag on her cigarette. This is not the only complaint; there are several more, but they're muffled into incoherence by the presence of her filter. "We've arrived. All of us now; all seven, except for the one we can't mention. This is Kid Sinister, whose name is that because he's sinister as fuck, and this is Penny Delightful, whose name is that on account of she's wholly delightful and cheery as the noonday sun and, no, not at all bitter."

Jesse, wrapping his boa around his neck, tucks one platformed foot behind the other and bows his rhinestoned head in a parodic curtsy when his name is called, skeletal arms splaying out to either side as his knees bend with the gesture.

To say that Alyx jumps slightly at Devard's comment woulden't be entirely true....she's startled, though lazily so. Jumping would take far too much effort. "Ah...yeah," she murmurs, then mock-frowns at

Devard. "No rose? Not good enough, David!" She shakes her head bemusedly, looking forward once more at Daisy's comment, one brow raising slightly.

Sacha arrives from the north.

Sacha has arrived.

Penny steps back a bit from the swarm to marvel at chaos springing eternal and stare daggers into Daisy's stone(r)cold heart "It's Penny Ante," she reaches behind her head, fingering something that makes her wince .. wince more than Jesse's curtsy and looks at Devard "You're Dave. We have to call you something else. The monkey is Dave and you shouldn't have to live with that."

"Alyx, this is Compton, Compton, this is Alyx, Jesse, this is Alyx, Penny, this is Alyx, Alyx, this is Penny, Alyx, this is Jesse, Jesse, this is Compton, Compton, this is Jesse, Jesse, this is Penny, Penny, this is Compton," Daisy says in chipmunkish sequence, outlining every possible permutation of introduction available. "And you are too delightful, Penny, Penny-my-pet; too delightful for words or, uh, even to be particularly nice to me even though you ain't seen me for like for-fuckin'-ever."

She does not introduce Devard. She, in fact, avoids looking at Devard directly, and winces visibly when he is introduced.

"Penny?" Jesse leans in, tilts his head, mutters something, as he looks at the crowd.

Jesse mutters to Penny, "... a bathroom... I... fix again."

Jesse mutters "There a bathroom near here? I want to fix again."

Sacha is walking down the street, crowded tonight. He coughs and takes another drag of his ciggarette. Keeps walking. Not like he know's anyone here. Not really. Just some big tattooed guy walking at night.


Alyx sketches an exaggerated bow as she's introduced - repeatedly - and grins loosely. "Yeah. Don't really need to say any more," she observes, shaking her head a little. Turning, she beckons Devard down a little (she's only short, remember), presumably to murmur something to him, quiet-like.

Penny cants her entire self backward against Jesse and hmns and nods and looks around.

Devard thought that might happen. His grin grows. "Im' sorry, Alyx.. My dinner date ran off with it." he chuckles. "Hmm. Magnofico?" he suggsets to Penny, grinning. Looks back to Daisy. "How's Hiro doing?" he leans over to listen to Alyx.. still grinning.


Penny mutters to Jesse.

You whisper "Yeah, c'mon I'll take you." to Jesse.

Alyx mutters to Devard, "... of... to... Would... down... the... grab... fetch... things?"


Penny pushes off Jesse with a '1 sec' gesture, grabs Daisy because she can and hugs her because she should, leaning down on her head "Gimme a break, it's that fucking monkey's fault. You can show me the thing and I'll buy. All night."


Alyx imparts whatever dire and important information she needs to, before grinning impishly at the taller man and turning back towards the cluster of freaks, watching antics bemusedly.




It's almost .. no, it's exactly like a family reunion. Only it's happy. And there's no drunk uncle pinching asses. Yet.


Devard blinks, quirks a brow, then eans forward to whisper something /back/ to Alyx.

my, this is a conspiratorial group, Neh?

Devard mutters to Alyx, "... your..."

Sacha walks past the cluster, boots a noticible sound as he moves past, his eyes travel over the people, recognizing one letting them linger on Alyx a moment as he moves on by.

+recc for Wednesday sent.

Never losing her smile, Alyx remarks something in return to Devard, hands gesturing vaguely before her arms cross.

Alyx mutters to Devard, "... it is. Now go...."

Compton seems to have zones out in the distance. Then he's back, blinking a few times and looking around annoyed, '...fucking hell...' he mumbles to himself.


Miranda goes home.

Miranda has left.

You have just received a +recc from Wednesday.
[OOC] Daisy says "Ur. One second."

Compton sighs and looks, back the way he came, "We goin or not kids?" he asks with all the patience of a underslept grizzley. "The 'Pots' just two blocks away..." he offers up as a solution.

Jesse reemerges from a nearby convenience store, his face washed, his makeup fixed, his complexion death-pale and ashen. With langid and sluggish coservatism of motion, he drapes himself again on Penny's shoulder, and begins to navigate his way back to the riot in waiting, said navigation made difficult on account of his giant platform heels.

A lucky strike, left between his lips, is pursued by a disposable lighter whose flame vaccilates and weaves, unsteady and for a long time unsuccessful in its efforts to engage the cigarette in meaningful dialogue on the topic of fire. Sighing visibly as that trial ends in a victory for the forces of chemistry, Jesse sags once more, slumping in place, his long, lethargic frame curling in on itself.

"Pleasedta, Alex." He turns to Daisy, tilts his head to one side, mumbles something gutteral.

Jesse says, in Enochian, "who is she?"

Devard grins some more. "Spoilsport." he sighs, and turns to walk back west. "Very well. But only because you asked so nicely."

Alyx smiles brightly towards Devard, hands clasping absently behind her back for a moment, before one slips forward to her hip to toy with the ribbons dangling there.

At first glance, Alyx seems to be somewhere between adulthood and adolescence. She's a small woman, reaching to a mere 5'2", her frame diminuitive and given to willowy limbs, leaving her with the appearance of a gangly teen, at times. Only when one looks to her pale, heart-shaped face, do the less-obvious signs of age come into play. Fine laughter lines about her eyes and a somewhat cynical quirk to her lips all hint at her being somewhat older than teenage, perhaps even so far as into her early thirties. Her black hair, cropped short in a somewhat pixieish manner, frames her face nicely, setting off the startling green of her eyes. These are often partly obscured by a pair of wire-rimmed reading glasses.

She's clad in a skirt and blouse, both of cotton. The blouse is plain and white, no frills or ruffles though the sleeves billow slightly before drawing in at the wrist. A single pocket sits over the left chest-pannel, embroidered with a small gold sun. The skirt is similarly plain in cut, black and straight, a narrow triangle cut from by her left ankle up to just above that knee, revealing a red silk underlayer. The shirt is tucked into this, revealing the real color to her outfit. A two-inch wide belt woven from narrow strips of brightly colored ribbon circles her waist, sporting hues like sunset pink, spring green, lemon yellow and many others. Tied loosely at the side, the ribbons have been unwound to hang down along her left leg, fluttering with each movement. Her feet are protected by inch-high platformed sandels, revealing toes decorated with two silver rings and gold-painted nails.



Carrying:

Cellphone

The man before you stands maybe 5'8", dark brown eyes, in sharp contrast to his pale white skin, flickering around, trying to take everything in. Of about average build, he still manages to come across as skinny: his skin, though, despite it's paleness, shows signs of weathering, suggesting he's been outdoors a lot. THis idea is further reinforced by his clothing.. His footwear, at least: Sturdy blue jeans are tucked into stout brown walking boots, and a simple white shirt that has seen better days covers his upper torso, long bilowing sleeves rolled up around his wrists. Completing the ensemple, a dark green trenchcoat, fastened loosely around the waist, the inside evidently modified for many, many pockets.

Motion, really, is the hallmark of this man: his hands, especially, long and dextrous, always seem to be moving, or toying with something.



//.etro: It is 01:14 am, late night, on Thursday the 11. day of September, 2008.

Penny had been standing, waiting for Jesse so there's like - zero surprise that he slumps on her and even less that he's not-quite chain smoking. "I think we need to walk a little. Where you going? We'll catch up."

Sacha walks west along King to Bay.

Sacha has left.

Sacha arrives from the east.

Sacha has arrived.

Sacha walks east along King to Church.

Sacha has left.

[OOC] Devard offers a yoyo? ;) Bungee cord?

[OOC] Penny snickers.

[OOC] Alyx says "Boomerang ]=)"

[OOC] Devard neds to get some doves..

"Honey Pot" Compton says in his gruff voice, "Two blocks down that ways." he says with all the clairity of a cloud. "You comming?" he asks Daisy.

"No, no. No walk. I'm fine." Jesse waves the tip of his cigarette to gesture how fine he is. And drops it. Into a puddle. So he stares in disbelief at the soaked cigarette, just for long enough to forge he'd been smoking and then it's back to searching for cigarettes, trailing after Penny, and smiling at a point in space roughly a meter and a half to Alyx's left. "Where's Piggy? He always got tweak." Jesse rubs his nose roughly with the back of his hand. "Palindrome time twice since we stood here." He's looking in the puddle again. "Ixat in the puddle, Eye-Led in the windows. Phil Hine says palindrome time is the signpost of synchronicity." He walks, with Penny, away from the group, still speaking. "You know that, Daze? Coincidence making itself known. Dark mirrored nuevaztlani chrometoothed taxis grinning in the oilslick raibbows. Waiting around the corner. Seething to get in. Eleven eleven makes the tetragrammaton a temporal noumenon. Hang loose. Got a smoke?"

Devard walks west along King to Bay.

Devard has left.

You have just received a +recc from Jesse.

If Alyx comprehends even the tiniest fraction of what Jesse just said, it dosen't show. Nope. "Daize, gimme a call when you've got a second, would you?" she calls over to the 'raver' girl, her expression changing to one of grim determination once Devard has made his exit.

Penny meanders with Jesse and keeps up with his babble, talking about iled and nepo, about multiple suns and where the needles go. She gives him another cigarette and hangs loose at Daisy as Jesse's heels fail to keep him aright for very long.

He ain't heavy, he's my brother.

[OOC] Penny says "ttfn - thanks everyone :)"