Saturday, May 31, 2003

You enter the apartment.
Room174(#4497ed)

To the right of the entrance is a modest bathroom that is sparkling clean. This room has two queen-sized beds separated by a few feet, with plenty of blankets and large fluffy pillows. Inside the second drawer of the nightstand that sits between the beds is a copy of Gideon's Bible. Across from the nightstand on the far wall is a TV that offers hours of cable entertainment. A note near the TV remote reminds you that pay-per-view adult movies will be added to your bill.
There is a window that overlooks the parking lot on the far side, next to a table with two chairs. Behind the table is the room environmental unit built into the wall, giving you control of the heat and air conditioning.



Obvious Exits: Out

Contents:
Keene

//.etro: It is 02:37 am, the dead of night, on Friday the 16. day of January, 2009.

Door to the room bangs open and Penny stands there stomping slush and muck off her feet. "Weather's shit," dropping the coat from her shoulders into elbows further dirtying the hallway. The door closes behind her, kicks off her boots "I hate it here," grumpy and ticked off for any number of reasons, Penny starts emptying pockets to the nightstand.

A notepad, a cellphone, an unfamiliar wallet, a strange set of keys all clatter down to the delaminated surface.

Keene is sitting on the floor, shoes off, jacket hung up neatly, smoking one of his usual cigarettes. He is watching `The Shining' on free cable, which acts as an idle distraction.

As it goes to commercial, Keene looks over at Penny. "Join the club. I can't wait for the Realm to blow up. I think I'll have a little party afterward."

"Well it's ah very homey."
"Yes."

Penny stands idle for a minute watching Jack on the screen. Still stripping out of soaked clothes, Penny undresses her way into the bathroom. Walking out of jeans, bloody t-shirts hefted into the sink, you can hear the shower start. She's only in there about five minutes when the shower stops. Returning to the room in another of Jesse's shirts, Penny mutters something indetrminate about Eva loving him more and something darker about Pobble, god and unhelpful asian whores.

"I'm having a psychotic episode, Keene. I need something."

"Up or down?" asks Keene, watching the ice cream scene.
A month later Penny responds, chin resting on folded hands

"Down. Way the fuck down."

"Man. I miss my bigwheels."

Keene ashes his cigarette into an empty beer can at his side, reaching into his breast pocket and pulling out one of his customary orange vials. He offers it to Penny. "Valium. Take 'em with a shot of Jack. Good for you."

He looks back towards the screen, puffing on his cancer stick some more. "I wonder what happened to Olive Oyl's career after the 70s."

Penny keeps explaining, turning over a keycard looking for the number. "Found the traitor fuck. Then I found the old man getting his ass kicked.. " intimating that some serious retribution needs doling. Penny pushes down on the stupid child-safety cap but it doesn't open. Tries it again, gets it to pop and fingers out two pills, takes them dry.

"She did this fucked up children's show .. fairy tale movies.. I think she had a total break after this movie."

"Pretty wack," mutters Keene, resting his cigarette on the beer can before pausing to stretch his arms. The hedge maze beckons. "Scary looking bitch regardless. Very 70s."

He picks back up his cigarette. "So where's the Benedict?"

"Those teeth, right?" propping herself on an elbow, shuddering theatrically. "Wheres'a jack .." feeling down around on the floor for the bottle "..him? he's up the block," struggling to find the bottleneck somewhere under the bed "hangs out with some nasty sort. Kinda hardcore but maybe a littel to trendy. Anyways. This spirit says he's always there, never leaves. So I figure we stake it out long enough, won't be.. y'know.. too tough."

Keene grunts. "Fucking shut-ins," he says, as it goes to commercial again. "If these people got laid more, they'd probably be a lot more understanding of Truth. Of course, I imagine fucking cabbages has its own particular charm." He puffs on the cigarette.

"I'll have Hiro go trashing around the place. We'll track his financial movements and behaviors for a while. Then we start systematically leaving tracks for the Black Hats to find. Let them take out the trash."

Success. Her hand ferrets out the elusive and mostly empty bottle, upcaps and swigs. "Ah ah ah, Wendy" she says to the television, chastizing "castles don't have phones."

Fishing around in your top pocket for a cigarette, tiny flecks of blood stain the white double-fold on the inside.

"Is that what we want to do? Why should they have all the fun," slowing down now but not sluggish "Keen-o, that's complete crap... oo I love this part," lighting-up with a stray bic, exhaling over your head "kid's a little fucker 'inne."

"Damn right he is," says Keene, finishing his cigarette and dropping it into the beer can. "Well, it's up to you guys. I just want his ass dropped -- I don't really care how it gets done."
Downtown - Parliament and Front E(#164RJM)

The downtown core can be seen in the horizon to the west. Here lie many of Toronto's old and abandoned warehouses. Fences set ten feet high with barbed wires interlacing the top portion guards this area closely. Despite the look of these dilapidated warehouses, this is a popular filming area for major motion pictures. The abandoned warehouses make a perfect location for many scenarios used in action movies and TV shows. Overhead, to the west lies the Gardiner Expressway where it joins with the major north-south highway, the Don Valley Parkway. To the west is the St. Lawrence Market and Union Station, while to the south is the docks to Lake Ontario.

Obvious exits:

Hana arrives from the north.
Hana has arrived.

//.etro: Auto-aliasing to +today. (see +help +time for more)


_________________________ //.etro: Toronto by Night _________________________
//.etro-logical Data
______________________________________________________________________________

It is 09:39 on Thursday the 15. day of January 2009.

Sunrise: 7:29 Sunset: 16:30
Moonrise: 09:41 Moonset: 22:42
It is week 3 of the month and the first quarter moon is not up.
The tide is low and ebbing.
Sleet and freezing rain fall from heavy clouds, coating everything with ice and making the ground slippery. The world looks silver in the icy grey light. A raw wind blows from the northeast.
______________________________________________________________________________
Hana walks down the street, not minding the rain much, or the fact that her hair is turning to ice.

Compton, oddly enough is just standing there in the freezing rain. The Fur lined hood of his parka drawn up over his head. He stands staring at an old industrial complex, his fingers intertwined with the rusted chain-linked fence. With the anfgle of the hood and the loud pattering of the thick rain off of it it is doubtful he realizes anyone is around.

Maybe Hana recognizes the figure, if not the face. She slows, a dismal dripping half-frozen drowned cat. Stopping behind him, she looks past him at the industrial complex assuming you mean the light industrial shop?.

Okay, yes the Light Industrial Shop then. He just keeps standing there as if frozen stiff gazing at the structure, or perhaps sleeping on his feet with the deep rythmic breathing Compton seems to be performing.

//.etro: Compton rolls "perception+awareness" at diff 6
For a total of 0 success(es).

And just keeps on staring, oblivious.
Hana dips her head and rubs her neck, running rivers of water from her hair into her eyes. Then, quietly, she steps up to the fence, beside Compton.

From the side profile, you can pick up on two things: 1. It is in fact the old perv from the bar and 2. he's wearing some weird-assed three lensed pair of goggles over his face that emit an eerie green light. Which is why he most likely isn't picking up on too much right now...

//.etro: Compton rolls "perception+awareness" at diff 6
For a botch!

Hana finds his seeming obliviousness slightly amusing-- but that's only amusing enough to make her lips twist into what is, at best, a sort of sad, ironical smile. She's barely managing her normally pacific expression today. But enough about what Compton doesn't even see. The rain probably muffles the faint swish of her sopping coat. She waits a few moments more.

A large city works truck comes rumbling up the street. The pinwheels under it spinning fast and throwing a copious amount of road salt on the road and up over the sidewalk. A loud chiming is created by the hard pellets bouncing off the chainlinks. It isn't moving fast though and most people can move out of the way and avoid it. Not ole Compton though. Stuck transfixed as he is on the spot.

(SPLAT!) (CRUNCH!)

Compton is thrown up against the fence violently when he gets his in the back of the head with a particularly large chunk of road salt. The Springboard action of the chainlinks then propell him backwards and down to the now gritty pavement. (It also just happens that due to the angle and position of Compton, Hana is completely protected by the passing truck.)

"Ow. Fuck!" is the frank observation from the big guy. His goggles askew and a fresh cut on his forhead starts to seep blood.

From his position on the ground, he can observe Hana at a bizarre angle. She looks down at him from a seemingly great height, one of her hands still on the fence as she looks over her shoulder. The same little wan smile touches her lips. Watching the rain wash the blood down his face, Hana sayds, after a moment, "Are you hurt?" Ya think?

Compton struggles a little bit to even make it to his elbows, "Wha?" is his second response and he pulls his goggles down around his neck and dazzedly squints at Hana, "Who...?" is his third comment and finally reaching to his forehead with two fingers and touches the wound, "Ow. Fuck." again. Guess that's an affirmative.

"You're going to need a bandaid," Hana says, with possibly irritating frank observation. "I don't have any." She turns fully from the fence and steps forward, offering the man a hand. To look at the two, it's amusing to think she could pull him up. More likely she'll end up flat on her face.

"Ss'sallright." Compton manages sounding stupifed. Rolling to one side on the slippery sidewalk and gets to his knees, which complain loudly at the abuse. Standing now, he's soaked through, the parka not much good when lying on yer back in 1/4" of slush. He pulls off the stupid looking Santa's cap he was wearing under the hood and uses it as a make shift bandage.

Now that he's more together he gives a side long glance at Hana again. Reapprasing her from his 6ft stance. "Ow. Fuck." to the wound, and then, "Wh-why'd ya hit me for?" he asks testily.
"If I had hit you, you wouldn't be in a position to ask me why," she says, rather sombrely. She turns and walks back to the fence, placing her hands on the top again. "What's so fascinating about the shop?" she asks, obviously meaning the building at which you were formerly staring.

Compton looks unconvinced at the first statement but pulls the cap away and prods at his forehead again. The bleedings stopped, which ain't too bad for a guy his age. Tossing the hat away in to the street he pulls his hood back up and covers his quickly freezing head, "Lookin for someone. Got a hunch 'bout this place. It shit though." Of cource, said guy could have been standing next to him and Compton would have missed it this morning. He looks tired. His face is drawn, moreso than the last time you saw him. Dark rings under his bloodshot eyes speak to a long night of staring at random buildings.

"Really? I've lived there," she says, leaning against the fence. "By the way, you owe me money." She rubs the back of her neck again. She's soaked pretty much to the bone, as if she's been soaking in cold water for a long time. The way someone looks when drenched in hours of rain is somehow more pathetic than if they've been dunked in a lake.

Compton grimaces at the fact he's been staring at your home for the last hour in vain, "Yeah well... ain't the right place." he says defensivley. The cold and the wet and now the gouge in his forehead make Compton look even more haggard than before, taking it beyond pathetic to tragically sad. At least without the hat now he looks less homeless. "What?" he asks incrediously, "Fuck you I do." his his not so friendly reply to the joke.

only it's not a joke. Funny thing, a little girl asking an older, much larger man for the money he owes her. "Well, no, there was no fucking, but I did what I could. I can't help it if he vomitted." She glances towards the house again. "Maybe that is the right place, hm?"

"No, it's not and no I don't." Compton says incresingly agitated, "I remember that night pretty good, and you stated some fucked up dollar amount then attacked the kid. Never said I'd pay... If anything I owe you a favour. That's it." and undoes the strap holding his goggles in place around his neck and stuffs them in one of the pockets of his coat.

Hana lifts a hand and smooths back her wet hair, flinging drops of water behind her, invisible in the rain. "Come on, you're not going to make me -insist-, are you? I mean, after I put you on your back again, I'll have to go get Alex and explain to him he's got his house staked out. I really don't like him right now, not on good terms since he thinks I tried to kill him. It'll just be a big bother."

Maybe it's the fact that he's a sexist, ageist pig and doesn't feel threatened standing before a soggy china doll, or maybe it is just the fact that hanging out with outcasts has just inured him to threats period. "Yeah, okay. Whatever little girl. Ya ain't getting a dollar from me, so go fuck off." is his increasingly less eloquent reply. The guys had a bad start to a day he is most likely willing to go forget in a bottle of rye.

Compton also looks like he about to go on his way.

Hana stands still and silent.

Hana seems to be letting you go on your way, watching as, or until, you turn your back on her.

Compton promptly turns his back on Hana and goes to walk across the street.

//.etro: Hana rolls "dexterity+brawl" at diff 6
For a total of 5 success(es).

Perhaps you don't even realize what's happened until you hit the ground; perhaps the shock of hitting the ground keeps you from realizing it, even then. Something certainly happened, though, and there, above you, you can see Hana looking down. "Very sorry, but I need the money. I am tired of sleeping in trees."

Penny arrives from the west.
Penny has arrived.

Compton rolls over furious. There's murder in his eyes, "What the fuck cunt?!" he exclaims, perhaps not as affective a statement lying in the frozen street as it could have been. "Yer fucked now." Again, intimidating, not so much.

Compton is lying in the street now, yelling at the tiny girl. Calling her very nasty things and he too is soaked through with a fresh gouge in his forehead.
Some sort of papers in hand, Penny gets out of a cab at the corner of Parliament and Front streets bidding the cabbie a cheerful thanks-and-goodbye as she opens up a huge umbrella. There's an incredibly strange air about the woman - happy as a pig in shit.

Singin'in the rain.

Penny splashes about down the street for half a block with some destination in mind before she catches on to the commotion over yonder.

"Oi! Old man?"

//.etro: Hana rolls "dexterity + athletics" at diff 6
For a total of 1 success(es).

Hana stretches, putting her hand behind her neck, and her other hand behind her back, betwen her coat and t-shirt. "No, trust me, fucking would be a lot more expensive. Look, you said you were weqalthy enough. i think "loaded" was the word? So why being so stingy? Come on gaijin, get off your ass and pay up. And maybe while we're at it, you wannt tell me why you're spying on that place over there, hm?" Hana leans over, and pulls off the odd pair of goggles Compton's wearing. Not too easy, getting them from around his neck.

"Ain't got no million bucks to spend on a do nuthin whore, especially one that I didn't agree to pay." Compton says pushing himself off the ground, sheets of slush falling form his back.

Closer now, Penny yells "OI," through the sleet and rain "OLD MAN?" like she's confused. That couldn't be what or who she thinks it is. It's too early - there isn't even a lunch crowd loitering. She half-circles to get a better look and ..stops.

"Two things wrong with that," Hana says. "One, I'm not a whore, which I told you, and two, you did say you would pay me anyway. Now, usually I'm damned easy-going, but I've been having a pissy lifetime, and almost getting vomitted on by a highflying chingaku doesn't help." Hana steps back a few feet, putting the goggles around her neck with her own pair. "I suppose we can do this later, though. I guess I owe it to Alex to tell him he's being watched."

//.etro: Penny rolls "arete" at diff 5
For a total of 3 success(es) including 1 ten(s).

Everybody feels abnormally calm. Everything's coming up motherfucking roses.
That bad day you were having? Gone.
It's like you just won the goddamn lottery.

Compton flinches at Penny hollaring and looks like he's about to fly in to another torrent of explatives at the lil nipper. But instead smiles real big and dopey like and says "Hi Penny." all chipper like.

No noticable change in Hana. In fact, she seemed pretty calm already. Weird enough. Oh, but wait, she does seem less sombre...

Compton sloshes up the street all sodden from lying in it. Grinning like a fucking idiot.

Hana watches Compton's dramatic change. Not feeling dramatically different herself,, she does, however, decide to let the matter drop. besides, she's got his goggles. Maybe that will do for payment. She starts heading north, herself.

And Penny, taking Compton by the elbow, moves between the mounds of snow and crap back to the sidewalk. Penny is not smiling. Penny doesn't seem to be affected by this calming sensation, says loud enough to be overheard by any passer-by "Y'like it when little girls pound on you, hey old man?" and she turns an unflinching eye over her shoulder to Hana "Those're booby-trapped, chiquita" and keeps walking with Compton under her umbrella. She hails a cab and ushers him in.

~FIN~
Downtown - Bathurst and St. Clair W

You paged Mercutio with 'Phenomenon - Penny's taking out her cellphone as she leaves the subway (foci) and dials.
Action - Penny is actually text-messaging out a broadcast to Flwrpwr: Anderson not at Entropy Central. Please advise.
Theory - As a mentored hermetic, of House Thig, Penny has learned to disguise and hide her messages using conventional, modern technologies. The phone is just the tool.'.

You paged Mercutio with 'Diff?'.
Mercutio pages: Diff 5.
//.etro: Penny rolls "arete" privately to Mercutio at diff 5.
For a total of 1 success(es).

Mercutio pages: One success. You want to continue?
You paged Mercutio with 'Yes please.'.
Mercutio pages: Okay, roll again. Diff 6.

//.etro: Penny rolls "arete" privately to Mercutio at diff 6.
For a total of 2 success(es).

Mercutio pages: Message from FlwrPwr: Who you?
Long distance to Mercutio: Penny texts: Yesterday's girl. P3NNY Ante.
Mercutio pages: O, u. what u want?
You paged Mercutio with 'He isn't where you said. Need a loc.'.
Mercutio pages: he iz 2. there now.

Downtown - Winona Dr and St. Clair W(#6980RXJ)

You paged Mercutio with 'Looked in the fh, m i close?'.
Mercutio pages: uh 1 sec, i look
Mercutio pages: no! u in wrong place. look 4 the students, grrl! TUTUTUTUTUTU!!!!111 hahaha i so funny. ghetto trash, flyin' shirts!
You paged Mercutio with 'Yer v. funny. Thx again. Need anything, let me know.'.
Mercutio pages: i txt u ltr, bye!
You paged Mercutio with 'bye!'.

[Ed note: And then Penny walks to...]

Downtown - Spadina and Wellesley W(#269RJ)

[and waits, and waits outside the Wrought Iron Gate.]

Thursday, May 29, 2003

You journey up one of the trails to the quiet park area.
Centre Island - Island Park(#1262RnJ)

The beaches on the island's south side are supervised in July and August. A wide range of facilities are available, including washrooms, drinking fountains, water taps, lots of picnic areas with fire pits, first-aid stations and police. Small beaches, wooded areas, open grass picnic places and a couple of stone garden sites also dot this southern end of the island, creating a nice, relaxing atmosphere to enjoy the company of friends and family. The multitude of bike, rollerblade and jogging trails makes the park land home to many sport enthusiests in the summer months. The park is cleaned and well maintained, groundskeepers can be seen busily cutting grass, picking up carelessly thrown litter or otherwise ensuring the beauty of the island.

Contents:
Pobble
Obvious exits:
Centre Island
//.etro: It is 02:10 am, the dead of night, on Tuesday the 13. day of January, 2009.

Pobble stands on a smaller section of beach, a notoriously easy to spot furry sillouette captured in the moonlight for a second before a cloud dims the glow. Braids shift slightly in the grasp of the wind but remain mostly held down with their implanted implements. A cherry moves slowly as the figure sucks on a cigarette, the smoke whipping around his head with the ocean breeze. He stands right on the waterfront, small waves lapping at his boots.

This place is deserted. Nobody hangs out on a beach in the dead of winter; the winds keep normal, sane people in their place. Penny comes walking up from a beach on the south side of the island, boots tied together by their laces and slung over her shoulder. Jeans rolled up past the knee; they look dark. Wet or stained. Walking slowly toward you along an erroded dune, her footprints are washed away in the ebbing high tide.
//.etro: Pobble rolls "arete" at diff 5
For a botch!

//.etro: Penny rolls "arete" at diff 5
For a total of 3 success(es).
You paged Pobble with 'Tell me what's in your head.'.
Pobble pages: Jealousy, lonliness.. Angst monkies.

Something falls from the man's left non-smoking hand. A small capsule, bouncing in the lull of the tide before it gets swept out, a needle's point flashing in the starlight before being pulled into a wave.

The man gasps, and starts to sway as if about to fall. He takes a step back, almost involuntarily but something goes wrong. His right leg bends the wrong way, as if it had snapped at the knee, such a surreal sight it is. The furry fellow falls backwards, landing flat out on the sand arms out to either side in cruciform.

The tide has seemed to take pity on the man, as it retreats further. A weary hand shakes sand from the cigarette before taking another puff, with a sigh.

Mashing down cliffside, Penny picks up the pace a little and books down the shoreline kicking up sand and crunching down seashells. Her hand skims the surface a few times trying to make a grab at the floating needle, gives up on the third attempt.

Dragging weeds and sludge from the lake, Penny trudges back toward the place where you fell and kicks at your foot. "Stop it. He isn't gone, he isn't GONE." She kneels on your right and picks up your wrist, feeling for a pulse "It's a timeshare thing. Jumps around," and feels around in the pocket of the coat for cigarettes. "Where's your lighter, c'mon.."

Indeed there is a lighter, and a crumpled softpack of imported Dunhill 100s. Dr Steve's leg twitches the wrong way, and close up its apparent that his boots are covered in a thick layer of algae, almost gluing them to the sand.

"I know.." "Its just.. You wondered why Jesus thought it were so bad. He was going to get back up fighting in 3 days, back in heaven. Was no loss right?"

"That was the hard part. Having God turn away. Turn. Away." The line is punctuated with a long drag on the cigarette, illuminating damp sand speckled cheeks, and scratches along the 'crown of thorns'.

He flashes a smile, alas a somewhat lame attempt at one. His empty hand reaches up to his hat, laying off to one side of his head and extracts a small parcel from the band near Cally - The Fool.

The thin, wrinkled plastic sleeve comes loose, a sudden gust shivering it down to the driftwood. For it size, it makes a lot of noise, catching in between fallen branches and the remains of a picked-at gull picnic. Penny makes with the flick-flicking, cornering the cigarette between her lips and twists her body carefully but the trenchcoat slips its knots and blood seeps through her shirts.

Hands cupped just right, she pauses, silhouetted in the crescent moon "Cut that shit out, Jesus was just a man."

The wind dies long enough for her to light up and she tosses the plastic thing square on your chest. "This thing is playing you, playing us. It's a sickness, a virus. It's got up in the blood and it wants something. After new years? I was at this thing and I swear someone was washing my feet" then an afterthought "can feel it when I dream."

She palms the lit end and looks down at you "Is divine euphoria supposed to peak like this? Look at you, you're bottoming out."

A vague smile twists Pobble's lips as if remembering something pleasant. A fingertip rubs at the retrieved paper parcel as his arm returns to rest on his chest. The last draw on the cigarette encompasses the cork coloured filter in its burn, but the noxious fumes don't seem to affect the chemist. A deft fingerflip sends the butt flying and its lifted away on a brief gust of wind.

"Jesus was just a metaphor." Ice eyes swivel to view you, and a now free hand moves vaguely towards your feet at talk of washing, as if drawn of its own accord. The lapping water decides to make an untimely run, almost passing the level of Pobble's boots. One foot avoids the deluge by an uncanny motion of a reversed knee. There's a spasm, with its accompanying facial twist, and his thigh straightens out. Leg returns down hard, thumping the heel into the sand.

"Weird ain't it." He puts the paper parcel in his mouth, gripping it against the wind in his teeth as he retrives a small device from a pocket. A block with a pair of deep grooves, one of which is mostly filled with a silver tube.

Sitting indian-style she agrees "Yes," watching your hand fall short of her feet, maybe "It's fucking weird." Wrists balanced after a fashion across knees, the one with the cigarette hardly moves - the wind does all her ashing for her.

A fog has started to coallesce and rise off the lake; reducing visibility rapidly, the dry haze is almost blue. In the distance a foghorn is blowing and a whistle replies with one long then two short blasts.

She drags long and watches the butt roll down the little incline, watches the white wrapper grey-out in the water "What's that?" indicating with a brief nod to the block.

Dr Steve sits up, and in the hollow of his legs, he places the block atop his coat, extracting the tube. The parcel is retrieved from his teeth and he unfolds it with the extreme patience and dilligence as one would use while constructing an origami statue of liberty. Some deft tapping and arranging results in the pink contents of the package being released into the grooves. He does however, continue to wrangle the paper until it forms the shape of a strange little plane which he releases to the wind.

His hair seems somewhat unruly in the wind, and emits a tinkling as the glass components hit each other. The hat flips over and rolls off to the side, repositioning itself face down and causing the card to fall out and dance along the sand.

"Best Christmas present ever?" he asks, smiling despite his mood - a little of the old Dr Steve showing through. The old, but tired Dr Steve. The silver tube is placed into one of the grooves and shielded from the wind, the block is proffered to you. His gaze shifts from you out to what's left visible of the lake amidst the fog. "Should we die, the world may end." he says, somewhat out of the blue.

The foghorn blasts another short round and ripples move across the lake. Out there is the sputtering hum of a motor boat. A dying engine, choked with brine and other things best left at the bottom of a lake.

"But we're seven days outside the Epiphany," the drug talking again, using Penny's voice to protest something about the timing, the timing is all wrong. Wrestling with this idea, she doesn't realize she's smoked down to the filter and is surprised when her fingertips are singed. She tosses off the cigarette and eyes the tube. Pink's familiar. Looks at the block

"You first."

Pobble shifts on the sand and negociates with his head until it aligns itself with the left hand groove. Taking the silver tube he plants one end in block, one end in nose. A fingertip on empty nostril and shhhhhhht. Eyes close for a second, blinking involuntarily and a catalogue issue smile plants itself square upon his lips. A wobbly hand once more proffers the implement in your direction, and after a second it moves back as Steve slumps back to rest on one elbow. The block still proffered, just further out of reach. Lazy fucker.

"Is he still angry at being trapped?" he asks in a faint warbling tone.

"I told you."

Penny's hand makes a grab for the block and straw, "it wants something. Doesn't stay angry very long, tries to come at me when I sleep but there's Jesse's place and he can't get in" and seeing as Pobble hasn't expired she doses just as fast. Doesn't smile though. It doesn't hit her the same way. Knuckling into her nose both sides, Penny shakes her head, elbows down on the silty pebble sand. Sun's starting to come up so she keeps her eyes on the horizon.

"He moves in mysterious ways." they said. Pobble shrugs, bringing up his apparently unbroken knees and hugging them against the cold, with fists clenched as not to bloody the material. His coat shifts in the wind, patterns forming and unforming in the shag of the fur.

"I'm still working on DivComp3. It'll be.. interesting. Need to do some study.." he pauses to shudder with some euphoric glint in his eye. "And reprocessing. We'll see.." He turns from you again, following your gaze to the sunrise.
[Ed. Note: Cheerios, cocaine and lsd: The Breakfast of Champions]

Derlict House - Kitchen


Beneath two stories, lies a basement with all the common amenities. However, it's been converted into a semi living space.

In one corner, a boiler and heater stand, though only function down here. The fuse box is also configured to power the subterranean portion of this structure. A washer drier are next, and a small makeshift sink. All four walls have been padded with heavy insulating material and wires run down from key holes in the ceiling. A few bundle are strapped together, feeding into a video network system. Four screens sit at a small square table, flashing camera feeds from strategic points outside and inside the house above. A reclining chair, made of brown leather, encircled with ashes and empty beer bottles on the hard cement floor. A TV sits atop another broken TV, it's wires arranged to split off the block's main cable system.

To the far wall, a long table has been set up, stacked with a variety of chemical compounds and mixing material. Everything from begin base liquids, to corrosive acids stored in chem-hazard tanks. A myriad mix of beakers, vials, and test-tubes line the shelves above. Gloves, goggles, tongs, all things a junior mad scientist would need to conquer the world. Some larger steel drums of chemicals are stored under the table, and some electronic chem-analysis equipment blinks an occasional red flash.

And finally, set along the length of the large basement, seems to be a make-shift firing range. Shell casings litter the floor at one end, opposite from a large reinforced steel door dimpled with a thousand bullet dents. The remains of a tattered paper target hang on the door. Over it, a picture of Ronald McDonald.


Contents:
Chase
Obvious exits:
Reinforced Door Stairs Up


Chase is totally eating Cheerios right now.

She comes down the stairs slower than the last time, does a kind of slide-cling thing along the wall. Sounds different; canvas on painted foundation. Looks different, too, in her bright red trenchcoat. Penny half-jumps the last few steps.

"YO."

The response is muffled by breakfast goodness, just the way to start a morning. "'O." A single circle of cereal falls from Chase's thin lips, taking a few drops of whole milk with it. Hunched forward in his leather chair, the TV's talkin' about Bill Cosby's latest illegitimate son. A backhand wipes some mess from Chase's square chin, he's still wearing last night's outfit.

"Sup neegro?"

Chase read your description.

"Fliponnatoons, hey" coming up behind the leather chair, crunching on something she's got in her pockets "or like Jerry, the snooze rots your brain y'know." She says this with some authority, plopping indian-style next to the chair, eyes fixed on the screen.

Cereal crunching, Chase turns back to the screen and raises the remote.

He hopes that by 'Jerry', she meant 'Springer'. Because at any given moment, in any given country, Jerry Springer is on some fucking channel. Today, on a very special Springer, 'I hate my wife's purse'.

Chase looks back to Penny, speaking with a mouthful. "Wha' 'ou thin' 'bout that chi' 'epsy, eh?"

Of course she did.
The audience is up, chanting for The Man Himself. Chairs are almost on the rise - check out the redneck in the green silk shirt.

Zoned out way before she got here, Penny tips her head to the side studying the screen. Strangely inebriated, cornflakes litter the floor where she misses her mouth mumbling something significant about the creator and the creation. this is apparently all she has to offer on the topic, jumping directly to "Have you seen Pobble? God's concerned." The trench pools off her shoulders, sits on her waist and legs, trapping her arms. She doesn't seem to notice, goes on "We can feel him, like magnetic north. We just don't know where he is."

"Sup with that god shit, anyways?" Chase takes a tactical pause and reaches inside his coat to pull out a snuff vial. Filled to the brim with powder. Some up his left nostril, and a healthy dose spread upon his Cheerios. A few sniffles follows, he makes circular motions in the milk with his spoon. Before she can answer, he goes on. "No. Last I saw 'm he was runnin' outta here trippin' balls. He always like that?"

"I thought maybe Mexico but then he said 'Don't be trite'" mimicking someone or other following her own thread, continuing in that same booming voice "'we can not tolerate that level of filth' so then I thought maybe Rio and he didn't have anything to say about that," evening out to her indoor voice. Forgetting any impulse to chew or even bother with food, Penny picks up a magazine and holds it up infront of her face during a commercial. "God is one of us." A pause.

"Or both of them. And we can not be together but we can also never be apart." Another pause.

"It's very complicated."

A spoon full of cocaine and Cheerios hovers near Chase's lips. Red eyes look down to his seated guest. "Wha... No." He shakes his head and eats.

*Crunch* "'N Rio's dirtier than Mexico could ever be. They fuckin' sell 12 year old boys in shanty villages, 'n the whole place smells like spoiled coconut oil and dirty thongs." *Crunch* "This is one yer messed up cabal thingies, right? Wait, forget it. I don' wanna know." He points with his spoon, "Pass me that beer."

You say, "The trouble is the reception. Messages stop coming in clear," she sighs, slouching toward the longneck nearest her until she realizes there's the coat. The stupid coat enforcing consequential restriction of movement. "and he thinks he can take it back but it has to /want/" to punctuate, to underline that she tears her left arm out of the sleeve, "to leave. And it doesn't."

Rocking forward, she reaches for the beer and lands back with a wince.

"Plus it likes this batch. Amped the frequency."

Penny does juggle the magazine and bottle inbetween fingers pretty well at first but there's a dangerous second where she might drop one or both. However she made the grab, it's clear either her hands aren't big enough to manage or that signal-block she was talking about stems her motor functions as well.

Muffled noises come from Chase's full mouth and he shakes a spoon. He wants no explanation. Just to hear it, might infect him with some of her craziness. But the beer's accepted, yes. That, he wants. And promptly washes down some narcotic cereal. Holding the beer and bowl, his gums go numb and he makes funny smacking sounds.

"Fuckin' 'ell... froze my damn teeth." A few clack against his stained choppers with his spoon just to test up. "Fuck." There's a few twitching motions. "Fuck. So ya didn't answer my question. Whadja think bout that Hepsy girl? Least she didn't scream when that talking monkey came at 'r, eh."

She sits there watching the program change from Jerry to Judge Joe Brown with seamless continuity, blinking. "It's hard to communicate," digging around in one of the pockets, she pulls out a small stack of business cards and lays them out before her making a tarot cross "because at times there's an intense euphoria, the drug in the blood and in the skin" still trying to explain things, Penny turns card after card over. They all say the same thing: RYAN REEVES - REPORTER in a stocky block print. "so 'I' can only observe."

She sits up a little, peering at the cards "She seemed nice. Willing to believe is key."

A tick build in one of his eyes, Chase sets the mostly empty bowl down on the table behind him and has more warm beer. "She was runnin' with another crew, vaguely connected to my peeps. Buncha bubblegum hold up kids though. Need ta get a few calluses on 'r hands." Yes, there's the whole deck, eh. RYAN REEVES taunts Chase from the floor, prompting him to turn his head minutely. "What's that about?" He still got the spoon, it makes a great pointer.

Penny repeats "Bubble gum," losing her focus. Her eyes roll to whites for about half a second then "That was strange," and leaves it at that.

Milk from the pointer/spoon drips across the floor and rolls back under the chair in twin fingers. A badly laid foundation is no surprise in this part of town. Penny slips her other arm out of the coat and starts turning the cards so they all face the same direction. "After I saw you in the gardens I ran into him."

Slowly she pieces the night together, phrases fractured around this obsessive/compulsive act of card-turning "I was a little fucked up. And still bleeding. And he wanted to give me a ride."

"And then he gave me his coat."

"Suits ya, I suppose." Again testing his gums. Numb. "Fuck." Chase leans back into a position more conducive to relaxing.

"That monkey tripped me out. How the shit you deal with that all day? I lose my shit I think."

"I'm here, aren't I?" turn-swish of the card on the floor, collecting powder and dust of every kind underneath. "He used to be cool. Then he like.. grew up. I dunno .. do familiar's even HAVE hormones?

"Dunno. Think he's the first i've met that wasn't trapped in a grid-splice on some partible Mac. 'S way better than any A.I. shite. Fucker even smokes." Chase, still feeling his frontward gums.

"Needs a leash," said with none of Penny's usual venom and bile where the monkey's concerned; she's pretty fucking calm right about now. "..s'much of a genius Steve is, he hasn't been able to make one what that monkey can't get out of. Lost him once in Bel Air... that was a fucking trip.." trip.. hahaha, Penny's laughter mostly swallowed.

Laughter's contagious, but her's only inspires a chuckle. And even that is marred by Chase's fingers between his lips and gums. "Like the old dude to, he was money with the heat. Any of you fuckers got skills with bitches? I mean -skills- ya know. Be happy ta pass on the S.E.A.L. training. Handy shite, it is."

//.etro: Penny rolls "6" privately to Penny at diff 6.
For a total of 5 success(es).

[Ed Note: The last few poses of this scene have been edited out to protect the innocently retarded individuals writing the scene. They were tired, they were cranky and mostly they were illiterate. It went something like: Penny displays gun-fu, Chase goes okay, fine. Be that way. Penny leaves, Chase takes a piss. The End.]

Wednesday, May 28, 2003

Rolling Fields

It's a gorgeous sight, even in the dark of night, the brilliant yellows and greens of tall grasses waving in the chill wind, rolling hills stretching off as far as the eye can see. Pure, white stars shine in the breaks of the thick, dark cloud cover above, bringing a mild, yet still chilled, warmth to the vast expanse of land.
As you reach the peak of one of the highest hills, you are able to survey the land as the scent of life washes over you. Almost ninety degrees from the hill with the huge, gaping hole, and far off into the distance there is a massive forest, several deer darting into the trees as you spot it, as if sensing your discerning eye. Immediately opposite it is a large body of water, from which the cave stream flows. Ninety degrees from it, directly opposite the cavern entrance, there rests Novus Valnastium, a large stone complex resting atop another hill, one lone tower stretching into the sky above.
A little off to the northeast (assuming Novus is north), a small, metallic-bowl structure sits. Long tethers sometimes stretch into the sky from beyond it, connecting to a marvelous airship docked above the bowl. The slender curves and high-tech metals used on the small building are a stark contrast to the ruins just fifty yards away, and it easily gives away who is responsible for such a building.

NIGHTZONE

Contents:
Alyx
Dave the Monkey
Pobble
Chase
Obvious exits:

Cadence wanders out of Novus Valnastium in the distance, slowly closing ground until she has arrived in the heart of the fields.
Cadence has arrived.

Compton sloshes out of the cave. His heavy winter boots waterlogged by his interdimensional splunkering... and he look thrilled for it too.

Alyx has disconnected.

Cadence walks out quickly, scratching at her shoulder. She seems to be in a hurry, glancing around her, but moving intently toward her destination.

Chase is standing near Dave the monkey and senior Pobble. And despite being located somewhere near Mars at the moment, he looks rather confused by the sight of a talking monkey. A camera is slung about his neck as it flashes a tiny green light, one associated with lowlight functions. Square jaws flexing on gum, trying to crush every last sugary morsel from it.

*Pop*

Cadence heads down the hill and up the other, disappearing into the cavern's darkness.
Cadence has left.

Pobble stands with Dave near Chase, staring off into the void with a smoking blue tube between his lips. Dr Steve looks sad and unhealthy in the sickly light of the glowstick that is attached to his lapel.

"You're fackin weird, I'd heard great things about you, but I don't see it.." says Dave. The monkey looks up at Pobble. "Oi." it says, but Pobble doesn't respond. He seems to have developed an attention lock on the void. Ash falls from his smoke down over the white fur.

Compton trudges down the hill. His boots making audible squishing noises the entire way. He unzips his parka now that it isn't needed here in the artificial warmth of a black hole shining down on everyone. A large bottle falls out of the loosened coat as he marches. Stopping briefly to stoop with a grunt and snatch it from the grass. Yanking the cork out with his teeth he takes a belt as he approaches Pobble & Co.

That prompts Chase to smile. Stained teeth shinning back at the monkey in brilliant shades of dulled yellows and caffeine browns. "Well, I supposed i've been accused of worse things than looking weird." Taking a moment from his eternal behind the ear scratching, Chase points a callused finger at the monkey. "Nice ta meetcha, just the same." And back to Pobble, who seems perhaps distracted. "Right then. Who the fuck are you two again?" As if he forgot to ask. But it's an understandable distraction, a talking monkey.
You two, meaning Pobble and Dave, as Chase hasn't registered the old dude yet.

Pobble holds the smoking blue at Chase, "Pobble." he says in almost a whisper. Palest blue eyes hold the void in their depths, as if the doctor's soul is being sucked away.

"Dave," says the monkey. "Dave Monkey." Taking the giant cigar in tiny hand he offers the other mitt to Chase for shaking.

"Pobs, ya dumb shit. Ya fergot yer key again." Compton announces when he gets there. Holding out a key with a large dangly keychain with a 1 7 4 printed on it. "Hi Dave..." and a less familiar "Hey" to Chase.

Attention still on Dave Monkey, Chase bends a tad at the knees to shake his hand. His thin lips still skewed in a modest boyish grin, finally he looks up from the speaking simian. "Pobble. Right, Penny says yer a 'fuckin' genius' to quote the broad." To Compton, his square jaw still in flex mode as it destroys his chewing gum further. "Oi." Yes, he recognizes Compton from one of the meetings, though he's never met him proper like. "'M Chase."

"Geni.." murmers the man. Apparently a lost cause. One hand, stained black in patches in the light and glistening slightly still holds the blue smoker at Chase, as if he'd forgotten he was proffering it. The end seems slightly stained with black against the blue.

"You will ave to excuse Dr Steve, e's a bit out of 'imself of late. He's lost something important." says Dave gesticulating at his companion. A solemn toke on the cigar follows, and the Monkey reaches into the immaculate suit pocket and retrives a crumpled ball of something. "Oi, Chase. I 'eard Penso talk about you. She wanted to give you a present." The monkey, with its bluest blue eyes, winks and offers the bundle.

Compton nods once, obviously fronting in front of the rather extreme personage of Chase, "Compton. Invisible College." and as if to prove his point, flicks out his pinky and thumb and circles them in the air a few times. Hang Loose. Then taps his left breast with his fore and index finger before passing a whole pack of smokes to Pobble, if he's with it enough to reciprocate.

"Eh?" Chase, distracted by the present offering monkey, again finds it impossible to pay attention to anything else. And duly, he reaches down to take the bundle and unbundle it. "What's this." It's a rhetorical question, because clearly he'll have figured it out by the time Dave can answer. That is, if by opening the bundle he'll have solved the enigma of Pen's present. While callused fingers go about opening the gift, he continues speaking. "Oi Compton. I'd thought you guys tried ta stay outta the 5th dimension, no?"

Compton frowns, and hangs his head slightly. Obviously shamed. "Yeah. Usually. Dip shit here forgot his keys again. We're trying to move and nobody's there. Peachy sent me to make sure god-boy doesn't freeze in an alley... I hate being in la-la land." funny Compton of all people should say that. But to totally undermine the point, takes a belt of his hooch.

The 'Gift' is apparently a pair of underwears. Used female underwears. The monkey grins, showing its teeth and then begins to stroll off towards the wall, waddling slightly and waving its cigar about.

Pobble ignores the proffered cigarettes, and maintains position on the burning down boomer. He says nothing.

Like the pincers claws belonging to salad tongs, Chase plucks the panties and allows the bundle to fall. Eyes squint, and look for the joke. A slight stain is all they find, no? For the span of 6.7 seconds, Chase, locked in a look of confusion, dangles the underwear before his eyes. Then, "What the shit..." Looking to Dave, then Pobs, then Compton, "What the shit..."

"They smell great don't they?" says Dave, nearing the wall. The tiny ape comes up to its base and knocks at it with his little knuckles. Sucking in more smoke, he blows it at the surface, watching it dissapate.

Compton looks at Pobble for another few seconds, as if to gauge what to do with him, only to be distracted by Chase and his prize. The brows go up, and the forehead crinkles, the mouth slackens and the eyes boggle. "Oh shit.... Dave? What *have* you done?" and quickly the bottle makes its way back to his lips and an extended draining ensues. *wheeze* "She'll fucking kill you Dave... she'll fucking kill all off us." is his frank assessment of the situation the tiny primate has landed us in. But, not to be thoughtless, Compton digs inside his big coat and pulls out a can of Coors. Rare to see up in these parts, and passes it to Chase. "Here man. Was nice knowing ya."

"I... yeeeeeah." Chase says, then suddenly, the SILVER BULLET! Ohhhh, Compton knows the back route to Chase's heart. Quickly, and still clutching the panties, the squat man reaches out for the beer. "Nice." He says with a good degree of thanks. It's snapped open and tilted into his lips. Must taste great with the synthetic watermelon flavored gum. A few healthy gulps, his mouth smacks when done. "Fuckin' tits man, how'd you know?" He's forgotten about panties and monkeys for the moment.

Chase says, "Listen, I gotta... I gotta go see this chica that's supposed ta come round my digs. You fuckers wanna join us? Got weed, got blow..."

Pobble still holds out the strange smelling smoke in Chase's direction. He hasn't moved, and while the stick has burned down its still longer than a regular cigarette. The man is glued to the void, tears rolling down his cheeks and a look of intense sadness on his face.

The monkey however, has grown bored with the wall. "I like tits me." he says, waddling back over. "Yeah, Chase. Penny was saying how she'd love it if you jumped her, made a move. Got stuck in. She's real shy yanno." Monkey makes an obscene gesture than seems even dirtier comming from the tiny critter. Dave seems to be doing the good thing, and also ignoring Dr Steve.

Not to be rude, Chase ohs and finally sees the smoke Pobble's offering him. Along with the panties, beer, and offers of Penny's cha-cha, Chase doesn't know what to do. Though smoking some of Pobble's shit does seem on the list. It's plucked from him and dragged upon before anyone can say anything.

"I didn't." deadpans the big guy. "It's just the cheap stuff the indians smuggle up." Comtpon then peers at Pobble, then answers for him, "Yeah, me and Rainman are in I guess." and then gloares at the monkey, "You *really* don't wanna live do ya?"

Dave L. Monkey points at the blue smoke, its grin widening. Afterall, Dr Steve only had one pull on the beast before passing it on and look at him. "Crack, smack and PCP. Don't let him drive." says the simian. "Wanker." he adds, probably to Chase.

Dave hops over to Pobble and pulls at the fur coat. "Steve you twat. Wake up."

Inside a barreled chest, Pobble's smoke lingers. Chase can take hits like nobody's business, and he doesn't say anything right away. No, he just allows the smoke (of whatever variety) to do it's magic inside his lungs. A nod to all three, monkey included, and he waves the trio along with callused hands. FInally, after the smoke's expelled, he speaks. "'S in Chinatown. I cin drive..."


Dave the Monkey has left.
Pobble takes Dave the Monkey.

**Pause for station identification**

Derlict House - Kitchen


Beneath two stories, lies a basement with all the common amenities. However, it's been converted into a semi living space.

In one corner, a boiler and heater stand, though only function down here. The fuse box is also configured to power the subterranean portion of this structure. A washer drier are next, and a small makeshift sink. All four walls have been padded with heavy insulating material and wires run down from key holes in the ceiling. A few bundle are strapped together, feeding into a video network system. Four screens sit at a small square table, flashing camera feeds from strategic points outside and inside the house above. A reclining chair, made of brown leather, encircled with ashes and empty beer bottles on the hard cement floor. A TV sits atop another broken TV, it's wires arranged to split off the block's main cable system.

To the far wall, a long table has been set up, stacked with a variety of chemical compounds and mixing material. Everything from begin base liquids, to corrosive acids stored in chem-hazard tanks. A myriad mix of beakers, vials, and test-tubes line the shelves above. Gloves, goggles, tongs, all things a junior mad scientist would need to conquer the world. Some larger steel drums of chemicals are stored under the table, and some electronic chem-analysis equipment blinks an occasional red flash.

And finally, set along the length of the large basement, seems to be a make-shift firing range. Shell casings litter the floor at one end, opposite from a large reinforced steel door dimpled with a thousand bullet dents. The remains of a tattered paper target hang on the door. Over it, a picture of Ronald McDonald.


Contents:
Chase

Pobble comes down the stairs.
Pobble has arrived.

It's not a long drive in the Mustang, but it's punctuated by long bouts of silence under the blaring Cramps that Chase's system booms. That's where the money went.

With a small digital remote, the door's unlocked and alarm disabled. Chase is the first downstairs, the TV, stereo, and video feed react to his presence and light up. His thick frame meandering over to the fridge next to the lab table, he's still clutching the empty Coors can. "Whisky? Doritos?" He looks over his shoulder.

Compton peers around, clutching his security plunk, "Homey" the big guy deadpans.

"Wot he means to say is, that this place is a shithole." says Dave looking about. The monkey scampers past the three of you over to the chemicals and equipment for a gander. Dr Steve only moves when pushed in the right direction. His bloody hands now rest at his sides, and his face is slack as if he'd suffered a recent stroke on both sides, but his cheeks are still wet from crying.

Hepzibah comes down the stairs.
Hepzibah has arrived.

A blinking red light above one of the video feeds heralds her arrival, Chase stiffens in reaction. He's standing by the fridge, holding a bottle of Bushmills and bag of Doritos looking at the feed. "She's on time, I like that."

Compton perks up and shuffles over towards Chase, "Whiskey." he says with the ernestness of a drowning sailor. "Got any coke for dopey?" he says jerking his thumb over his shoulder at Pobble, and turns to look at him, but sees Hepzibah and falls silent. He gets that caught look on his face and demeanour.

"Banannas?" asks Dave quietly, scampering about the gear. Dr Pobble stands by the door, facing a wall and apparently thoroughly engaged by it.

Hepzibah arrives at the bottom of the stairs and pauses to take in the room. Her hands are crammed in her pockets and she's chewing furiously on a wad of gum. She stares a bit. Eventually, she stops chewing and tucks the gum in her cheek. "So's this the right place, then?" she asks the room at large.

A Dorito is crunched up between Chase's stained teeth. They smile as Hep arrives in an inviting manner. Even if the speaking monkey and talk of blow doesn't seem so homey. "No bananas, sorry. Potassium extract though, in powdered form if ya dig..." Tiny bits of chips fly out his mouth as he says this, wiping his callused hands on his pants and approaching Hep. The bottle's handed to Compton. "Oi, Hepz..." Apparently, Chase forgot (or never knew) how to pronounce her name. "Hep, right? From Bob's crew? 'M

Dave monkey spins to look at Chase, "You saying I want Banannas? Fackin' insulting that. Takin' me for some kind of ape. I should fackin' eat your fackin' balls you twat." he seems quite miffed.

Hepzibah gives her gum a couple more half-hearted chomps, then spits it out. She holds it between her fingers gingerly and looks around, possibly for a suitably polite place to deposit the sticky mass. "Hepzibah. Hepsy. Hep. Depends on how much you like to hear yourself talk. Um.." She can't help but trail off and stare at the talking monkey. "Um...." she tries again.

Dave the Monkey points his cigar at the new arrival and says "Whotchoo looking at slag. Fack off issit?"

"That's Dave. 'N yeah, he's a talkin' monkey." Chase confirms and takes Hep's gum. It's flicked into the corner haphazardly. "Had the same reaction myself." A look back to the ape in question, Chase tries to be the good host. "Well what can I get you then, eh?" With that, he starts towards the lab table and reaches for a metal canister on one of the shelves. Before getting an answer back from the monkey, he continues to do his best at welcoming the new face. "You cin set up wherever... got a bed from upstairs I'll move down for ya."

"Move down. Good term, haveta remember that one.." says Dave turning to examine the setup once more.

Pobble stands near the door, watching paint dry. His hands twitch a little, and blood drips from a fingertip to splat down onto the floor.

Compton unscrews the cap of the bottle and sticks it in his pie whole. HE's trying to be inconspicuous, but his glum demeanour and size just make him look sinister standing there drinking 6 month old wiskey from the bottle.

Hepzibah takes an unconscious step back as the somewhat threatening monkey points the cigar at her. "Um, yes, I guess." she agrees vaguely. She stares some more in spite of this probably not being in her best interest. "Well, it's just..." she begins, then frowns. She's entirely forgotten about the gum. "I'm sorry. It's um... yes. Well."

"Eh, don't fret." Chase says back to Heps. "He won't..." Well then, how well does Chase know this monkey? Not very, it seems. "He -better- not fuck with yas." Bloodshot eyes squint a tad at the menacing ape as he opens the top of a metal canister. Some pink powder's poured onto the lab table. "Oi, Dave. How's about some nice tranq, eh? Scored it from a janitor that works at the city zoo. 'S what they use to calm the big cats down when too many gooks get in the park and start snapping away." Chase makes some gesture that could ether be associated with a camera, or a tank mounted 60 mm.


"Cheers mate, but no ta. I only take whats provided by the Doctor." The monkey indicates the coma victim in the corner. "S'the law." he adds, not even looking over at Chase, but still cataloguing the man's stuff.

Pobble turns away from the wall, eyes full of tears and heads over to find somewhere to sit. One finger seems to be clawing at his palms, causing a faint trail of blood droplets to form in his wake.

"Suit yerself." And Chase bends over to do a line of the offered traq. Rising again, he pinches his nostrils and is blinking manically. Though through it all, he spots the video feed again. Sounding funny and nasally, he says "Pen's 'ere." And with that, again hits his digital remote. Duly, there's a clinked sound at the top of the stairs and Chase approaches Hep again. "Heard about the place with the bomb 'n that. Nasty."

Chase shouts, "Come on down."

Penny comes down the stairs.
Penny has arrived.

With the pre-emptive warning of the impending female arrival, the Monkey runs off behind the canisters as fast as its little legs will carry it. The cigar is dropped along the way and the monkey dissapears into the shadows.

Clump, clump.
Clump. klack-klack-klack.

Quietly then "..fuck, Chase" and Penny's on her ass a few steps from the bottom, the stairs proving too difficult for her feet to navigate. She makes a big deal out of checking the soles of her sneakers, unwinding some odd variety of a/v cable from her ankles. With her other hand she pushed off the headphones that are still blaring some drum&bass.

She hasn't noticed Dave.

Pobble stands aimlessly in the middle of the space, one finger digging at his palm, dripping blood onto the floor. He's crying, staring straight ahead with a face otherwise void of expression.

Compton's head cranes around when Penny ‘walks in’. His eyes go real wide and his forehead crinkles up. He looks surprised; no scared. Next he gives a quick side long glance at the gansta monkey and then back and you can visibly see his adam's apple move up and down as he gulps. Yeah. Real cool under fire.

Hepzibah nods and pushes up her sleeve a bit to show a slightly pink patch near the wrist. "Yeah. I'm doing ridiculously well, considering it's only been a week and a half. Whatever they gave me for the burns and stuff worked wonders." She paces around the room inspecting the occupants and the paraphanalia with about equal interest. "They're not pissed at me, are they, Chase?"

"They must be, sent ya ta me, after all." The monkey's scampering feet draw Chase's attention back from the stairs and Hep. He walks towards the large plush leather chair and opens the flaps of his long jacket. Like a twisted Mr. Rogers, he goes about the task of disarming himself and getting a tad more comfy. Two Colts are plopped on the lab table, each banging slightly as metal meets metal. An eye to Pobble, then back to Compton. "Is he... is he cool?"

Compton takes his eyes off Penny for a second and glances at Chase, then to Pobble. He relaxes a little realizing how tense he was. "No, actually. He's fuckered." he answers. "The monkey says he's depressed about loosing god. Got any happy pills?"

Hepzibah seems genuinely concerned about this possibility. "Well it seems that way. I just wish they'd tell me what it's about. I mean, no offense to you or anything. I don't know you, right?" She comes to a stop a few feet away from Pobble. "Um, you alright there?" she asks hesitantly. "Your aura's wobbly."

She also hasn't gotten up but makes a peace sign at the stricken-looking pair of Pobble and Compton then alternately checking the inside of her coat. "Smoke me, who's she?"

Pobble's head snaps around in an unlikely motion. He fixes Hepzibah with a cold stare, and opens his mouth. It seems as tho he's bitten his tongue or cheek as blood begins to run over his lip and down onto his t-shirt. Face remaining slack except for a look of apparent hatred in his eyes. Its as if he goes to speak, but gurgles on the blood instead before turning away and slumping down into a chair, face first. Crying.

"Does the Pope shit in the woods?" Chase quips back to Compton and pulls out a small orange prescription pill bottle from one of his many pockets. A small yellow capsule is fingered out and held up for inspection. It features a painstakingly real bee painted in water soluble pigment. The cries get his attention again. Chase doesn't know what the fuck to make of them, but the pill's handed to Compton. "You feed 'm." Eyes up to Penny. "Right then. Intros. Penny.." a finger's pointed at her, "Hep. Compton. Pobble." And yes, they each get a point.

Well, Pobble is apparently not okay, but Hepsy seems a bit at a loss as to what to do about it. "Right then." She says, and continues her wandering, which takes her over in the general direction of Penny. "Hi. I'm Hepsy. I'm not quite sure what I'm doing here, but I expect it will all make sense shortly." she explains optimistically.

Compton nods and gives a very gruff "Hey" in response to Chase's name gaming. The stark fear he had a moment before tucked down deep inside again. He plods over and collects the Killer Bee from Chase and moves on to Pobble. "Hey Steveo," he says attempting to sound calming. He fails. It comes out more like someone trying to talk like 'Papa Bear'. "Got something for ya."

Penny's fingers wave and twitch over the offered pack. It takes an unusually long time for them to settle around a filter and after that, to pull it out and not break it in half. She slumps to the wall, gravity and habit doing the rest. Cig to lip and waits, lipping it to the corner of her mouth "Got a light, Hep?"

It can be said she has the same demeanor as Pobble; some unmoving, unflinching way of looking.

Still waiting for a light, she starts studying faces. Chase to Compton. Compton to Pobble. Pobble to Hepzibah. "The fuck is going on here, someone sell us out again?"

The sound of that voice stirs the crying Doctor. Pushing up from the chair, the blood and tears have made his face a mess and he fixes his gaze on Penny. The offering is taken from Compton without even looking at him and he dry swallows it before saying, "I need it back." Yes. A true Junkie.

What -is- going on here? Well, the monkey lurking in the shadows is gonna owe Chase, for one thing. As his 'gift' isn't going to be mentioned any time soon. Chase turns again to Hep, with high hopes for Pobble. Yellow-jackets don't usually let him down. "Give 'r a light then, girl." Eyes are fixed on her redder than red hair, he's in appraisal mode. "So then, i'll give you a tactical briefing later. In the meantime, hungry, thirsty? Want some a that zoomorphic traq?" Fingers reach up to rub harshly against one nostril, the pink powder still tickling the inside of his nasal cavity.

Hepzibah fishes around in a coat pocket. There's a fair bit of plastic and paper crinkling before she comes up with a lighter and tosses it to Penny. Good aim is not her strong suit, so hopefully Penny's good at catching things. "Um.. never had that before." She eyes the powder indecisively. "Normally I take valium, but.. looks interesting." she ventures.

"Good for what ailes ya toots." Compton deadpans as he plods back from where Pobble is sitting "Never look a gift drug in the mouth." Perhaps not the most inspiring rolemodel, there is a distinct feeling that there is a universal truth to his statements.

Hepzibah’s Desc

She obviously wants attention. Nobody who wants to blend in would dye her long, poker-straight hair bright, unnatural fire engine red and wear lipstick to match. The colour makes her pale complexion and blue-grey eyes look washed out like a faded photograph. Sizewise and shapewise, she looks pretty unremarkable.
She's wearing her heart on her sleeve, or at least her politics. Various patches and slogans decorate her scruffy army surplus coat, including a prominently displayed white-on-black anarchy symbol on the back. Her faded bluejeans look like they've been put through the dryer with a rabid mongoose, and her running shoes are partly held together with duct tape.

+view available

Penny says, in Enochian, "I can't, stuck to my synapses" the subtext 'shouldn't' and 'has reservations' ringing clear. She catches the lighter but it's obvious she was expecting to be lit. Obvious because her eyes roll and she snorts out, shaking the last of the audio cables off her feet. So guarded, speaking around the inhale and exhale "we're sharing, remember?" Penny shoots Pobble a look, a faraway not-in-front-of-these-fucking-people because she really can't get into it look. "Saw him in a dream. S'got designs on Jesse, next. Likes his digs, that place y'know."

Pobble screams, spraying a fine mist of blood into the air before storming past Penny and heading for the door and out. "Die fuckers, die." he calls as he slams the door behind him.

Penny looks up the stairs after Pobble.

"It was something I said."

Compton frowns as Pobble tears outta here. "Aww shit. Peachy's gonna have a bird..." Habitually he raises the bottle of Whiskey to his lips twice more before finishing with. "Fuck it." More to himself than anyone else. Audibly admitting his retirement from Pobble sitting.

"Eh, you'll dig it then. 'S valium to ...." About here is where Pobble screams and interrupts Chase's train of thought. Eyes rise and follow the abruptly leaving Pobble. Unsure. What the shit to make of him, but I'm hoping he didn't leave the monkey. "Ya. Umm... 's like valium." Chase explains and points towards the pink lines on his lab table which includes a snorting straw. He turns to the video feed to watch Pobble run off in horror. A small shake of his head. "I gotta piss." As he starts towards the reinforced door, he barrows the bottle from Compton for a swig. And gives it back of course.

Hepzibah tries to look like she knows what she's doing. She picks up the straw, aims it at some pink powder and inhales. The powder goes into the straw. So far so good. But she's a little thrown off by the way it feels in the back of her throat and starts coughing. She quickly turns her head away from the table and covers her mouth. Her eyes water as she tries to stifle it.

Compton grins like a wolf, "Good shit eh?" he asks the girl who's obviously in no condition to answer, "Here." he adds holding out the whiskey as a chaser.

Penny starts to get off her ass, elbowing the wall. She drags long and looks at Compton, then the stairs and the door Pobble just exited by. She puts a hand in her pocket, flicks the kill switch and the thumping bass finally stops. "Good. Good," to herself and maybe to the bathroom door. Surveying in paces, Penny walks around the lab "can't though," to Heps' invitation to dig on it "not my turn." Whatever that means.

Exhaling over the stacked televisions, Penny toys with the wires. "So you uh.. know Chase a while?" Whatever Hepzibah says, Penny eyes Compton for confirmation.

Hepzibah wipes the tears away with her sleeve and and accepts the whiskey gratefully. She makes a pained face as she downs some, then passes it back. Some coughing, sputtering, and wincing later, she gets her voice back. "Thanks... about three minutes, give or take." she rasps. Her lipstick is noticably smeared now. "Uh, what about you?"

Compton peers back over at Penny and his face tense's again. What is it with him tonight? To her question he takes a look at Hepz, then back to Penny with a shrug.

Compton says, in Enochian, "I know as much as you do Elohim."

Penny says, in Enochian, "Didn't your mother ever tell you not to do drugs with strange girls?"

Hepzibah makes some strained throat clearing noises as she tries to make some sense of what Compton and Penny aresaying and apparently fails. She sort of slides down the table leg and folds into a crouching position.

Compton looks over at Hepz again, after what Penny says. No, in fact leering would be a better word. "I've seen stranger looking girls. Besides it's Chase's shit and I'm just being supportive is all... ya don't see me doing it do ya?"

"How ya feeling little girl?" Compton asks Hepzibah.

Whatever Penny said, the tone's a little incredulous. It's a flat response, maybe a little ticked. Maybe, but that's all left to interpretation. She turns and leans on the tvs, lamppost-like. "Oh ages," her smile a friendly gesture. Placid like lake water, the eye of a hurricane "Chase, he's good people," nodding at the bug powder dust on the table, a tight little nod again at Compton "you're a lucky girl."

Zip, flush, and prince charming's back. Chase walks through the reinforced door palming the back of his head. "What 'append to that dude, anyways.." Probably Pobble. The soldier looks for answers, still pinching his nostrils and heading back to the leather chair.

Hepzibah sits on the floor and looks slightly bewilderd. "Uh, alright I guess?" she hazards anxiously. "I um...I'm still not sure *why* I'm here." she adds. "But the explanation can't be that far off, can it?" Her gaze locks on Chase as he comes back into the room and follows him to his chair.

+view hepzibah/patches
A sampling of the patches on Hepzibah's coat includes:

-Everything- gives you cancer.
Save water. Drink urine.
Fighting for peace is like fucking for virginity.
Just do it: Burn your Nikes.
Legalize It!
Saddam Hussien, Stalin, Hitler, all had mustaches.

Penny shrugs and tips off the tvs toward the bathroom, Penny has no answers. She's just decoration, shedding her coat and a wad of sterile, red-soaked bandage from her right side. Unhooking her bag for maybe the millionth time (this gesture looks easy - it is not, this is a complicated affair) she asides to Chase "Trash?" balling the gauze up in her hand "Gotta change this."

Chase says, "Yer here fer proper field training, Hep. 'M not a flake like Bob 'n his crew. No teenaged pipe bomb runs here, chica." Towards Compton, the thick man offers for his benefit. Ya know, just so everyone cin speak freely. "She's from a junior chapter of After-Math. Gonna get 'r nose wet up here."

He seems to be pacing the room slowly, the now almost empty bottle hanging limply from his finger, "Right. Fresh blood... young blood." Compton hits the word young oddly. "....allies." he finishes with his voice trailing off in a whiskey warble.

Hepzibah seems to take mild offense at the term 'teenaged pipe bomb runs.' She sniffs. Then again, maybe she's just not used to inhaling animal tranquilizers. "We had proper explosives. Would've been just fine if the Terminator guys didn't come out of the flowers." She frowns. That just doesn't sound right. "Not the sort of thing you can predict, you know? I tried to do a reading the night before, but none of it made any sense. Happens sometimes. Chalked it up to nerves."

"Ya, I know those robot fucks pretty well." Chase returns, slumping into the chair with a sigh and eyeing the bottle in Compton's grip. He does the 'gimme' motion towards it. "So Comp over here, he's parta something called the Invisible College. Dig they're style, even if I can't understand what the fuck they're up to half the time. Sos P-Diddy 'n the screamin' fruit that just ran outta here."
fault."

Compton shambles back towards Chase hand haphazardly holds out the bottle for docking. Those born far enough back will recall images of the MiR/Soyuz collison in the early 90s, and this is a fitting memorial for that famous calamity. In his usual deadpan Compton adds to Chase's commentary on the College, "It’ not our fault."

Hepzibah says, "Invisible College." Nope, repeating it to herself doesn't make any more sense. "Yeah, Bob was saying... the terminator robot whatsits were like... um... " She reaches up and plucks the straw off the table, then uses it to draw little circles in the air. "Invisible. Not coming out of the flowers."

Copious vomiting.
It's like listening to the Hoover Dam fall apart. Yak, flush. Yak, flush.
Noisy, awful wretching underscores the conversation in the lab.

Then it stops and a subtle throbbing, distant headphone-echo starts to build up again. The door to the bathroom opens on rusty hinges and slams into the wall with a loud bang, Penny at her finest. Swiping spittle from her chin and cheek, her forehead is damp, t-shirts near to soaking and the red stain on her right has brightened, if anything. She toes the door open again before it can close on her face

"Yo Chase," she croaks, headphones vibrating around her neck "Band aids?"

Chase looks up from the leather chair, "Eh?" Bloodshot eyes look upon the wounded. "We talkin' Flinstones vitamins or field surgery?" A few inches forwards he leans, accepting the bottle from Compton and awaiting further info from bleedy over in the corner. Without wiping the top, he swigs. Clearly not afraid of germs.

Penny deadpans "Funny. Just big enough to cover," she turns away and the bathroom door gets propped open on her shoulder blades. Nimble fingers tug up the shirt where only she can see "bout three inches," her voice bouncing off the bathroom walls. "C'mon, it's making a mess'a me."

Chase stands from his plush chair, adjusting the straps to his kevlar vest and procures a small first aid kit cleverly stashed out of sight and under the lab. Why out of sight? No good reason it seems. At the lab table, he opens the tin and fingers out a few band aids. "Three inches? Need a stitch mebbe?"

Silvius slips into his Robes of Office and into Judge Mode!

Hepzibah chews on the end of the straw. "What happened to you anyway?" she calls in Penny's direction, morbid curiosity getting the better of her. She chews on the straw some more, grinding one end pretty thoroughly between her teeth.

Guess what ya don't do, ya don't go poking about the exterior of Chase's underground lab and sanctum. Especially not while he's home and has his ears on. It just so happens that Chase catches this on the feed and a snarl whips over his features. "Who the fuck's that." He's forgotten Penny's well being for the moment, instead opting to pick up the shotgun next to fridge and hand it to Compton. "'Ere." Regardless wether or not the man knows which end is which. A colt 45 in hand, and not the kind that Billy D. Williams promotes ether. Chase steps towards the video screens and hunches over to get a better look at this would be intruder.

It so happens, that on Chase's video feed from upstairs, you notice a person, male, decent size and build, poking about the exterior of the building.

The man on the feed looks rather non descript, other than the wide shoulders and perpetually irritated look on his face. He walks around from the side of the house to the front, and reaches out, trying the door.

Compton's eyes bug outta his head a bit and he staggers slightly from the sudden reactions of Chase - but his big mits grasp the barrell of the 22 gauge surely enough. With barely a thought he sticks the stock to his shoulder and chambers a round, and only then shoots a 'What the fuck?!' look over at Penny.

"Nah nah," rolling down her shirt before Chase gets around with the kit. "Just a ..can't stitch it. Chase? Comps?" Having ducked in momentarily, Penny comes out of the bathroom one more time with toiletpaper wadded up under her shirt. "Comps," she gestures with her free hand for the gun and makes the universal hand gesture for be-quiet.

Hepzibah ambles over to take a look at the monitor. "Never seen him." she contributes, trying to sound like she has at least half a clue, and might have a remote chance of recognizing a random intruder.

Looking up at the top of the stairs, Chase peels his gaze from the video feed and pulls out a small digital remote to go with his Colt 45. It's aimed at the door, the remote not the Colt, and beeped. With a few quick depressions of the button there, the door atop the stairs reacts with a solid locking mechanism. Having takin that precaution, his alert yet reddened eyes return to the feed. "Keep the heat on the door, Comp." He commands, moving quickly in business mode. This is where Chase thrives. But this dude, he's never seen before. So instead of looking like it's go time, he seems more curious than anything. "Mebbe a drifter..."

Compton gets a hurt look on his face at Penny's motions to disarm, and holds up one hand reassuringly to her before quietly plucking the other Colt from the bench and lobbing it towards Penny and then quickly sighting up on the door's center. Letting Penny to worry about the catching more than the throwing.

The man steps back quickly as the locks slip into place on the door as he tries it. His hand slips under his shirt at the back of his pants and pulls out a large handgun, possibly a Desert Eagle or similar. He moves to the side of the door slowly, as if expecting someone to emerge from the door. He makes no other motion, and glances at the other feeds shows that the man seems to be alone.

Hepzibah studies the monitor intently from far enough away that she's not blocking everyone else's view. She chews on the straw and gets red lipstick smears on it. Her eyes are big and wide and she seems a little bit stunned.

Well Chase can see him, that's a plus. Armed? That's to be expected. And they happen to be in Chase's sanctum, not a place you'd wanna fuck around. So, still idly holding the Colt, the narcotic soldier plucks something from the chem rack. It seems to be a blue bottle, containing a handful of blue pills. "Let's figure this out then." He says to no one in particular, and pops a pill. "Some back up, if you please Hep. Let's do this right." And in turn, a pill's handed to her.

Thus armed, because Penny's fucking athletic, she's got a bead on the door and one eye on the monitor when it counts. "Yeah," sarcastic "Cause a fucking drifter packs the biggest hand cannon on the market. How 'bout the competition? You got any? Doesn't look like one of those magic fucking ninjas..." she opines, advancing to the bottom of the stairs.

Hepzibah takes the blue pill in the palm of her hand and looks at it uncertainly. "Um what sort of backup? What is this?" she asks. She swallows the pill without waiting for an answer and glances over her shoulder at the stairs. The straw goes back between her teeth and she gnaws on it furiously.

"Fuckin' raw recruits." Chase snarls at Hep. "Just believe in what i'm doing, ok? Fuck..." Some head shaking, the thick man looks back to the feeds now as his jaw begins to gnash up the pill. It's turned into a messy blue powder rather quickly, and swallowed in short order. After this, eyes narrow upon the armed form, Chase's trigger finger gets itchy.

Compton licks his lips and jerks his head to one side flipping the Santa's cap over. He shakes his noggin a little trying to clear the whiskey, and squints one bloodshot eye closed.

Hepzibah holds her hands up defensively. "Ogay. Ogay." she agrees, speaking through her teeth with the straw sticking out of her mouth. She swallows a couple of times and looks back and forth between the door and the monitor and doesn't seem to have a clue what to expect. Her hands stay held up in front of her just incase of...surprises?

After a few moments of watching the screen, a dirty grin slinks over Chase's features and he rises. "A messenger." Stuffing the colt in his waist, he rubs furiously under his nose. "Watch the feed. 'M gonna go take care a this..." Another handful of pills are popped, Chase isn't taking his eyes off the man. More concentration.

The man still hasn't moved from the position next to the door, though the gun does lower a bit and he glances to the door, a look of indecision crossing his features.

There's a moment where Chase is watching the feed. And the next, well, he's just not there anymore. But, the door at the top the stairs is opened somehow, and promptly closed.

Hepzibah shifts anxiously from one foot to the other. Watching she can do, but it doesn't seem overly useful. She does a double-take when Chase disappears, but hey.. it makes as much sense as anything she's seen lately. She watches the feed as helpfully as possible.

She blinked and then he was gone. "Damn." Penny lowers the gun to her left and edges up the stairs, right shoulder first. Still dripping in splotches across the floor and steps, her blood mingles with the dirt and grime underfoot. One step at a time, Penny gets about halfway up and retrains the gun on the door.

Compton lowers the barrel of the gun and pushes the Santa cap back on his head and wipes the sweat from his brow.

And on the feed, Mr. Intruder looks pensive still, and steadfast in his ready position. But there, on the screen, in the corner, is Chase approaching with his Colt in one hand. One would guess that the man would -have- to hear or see the thick man's approach. But no. There's nothing. In fact, Chase get's within /inches/ of the man before casually pointing the 45. barrel at the back of his cranium. Over the audio feed, you hear, "Drop the gun 'n letter, or you're aces cabrone." And truly, with the barrel poking his skull, there'd be no chance for this man to escape sans bullet hole.

Hepzibah is clearly quite fascinated. Chase seems to have the situation in hand, so she quits worrying about being useful and just watches things unfold and chews on the plastic straw.

Compton clicks the safety back on the shotgun and puts it down on the bench, before shuffling off to the fridge and rummaging around inside.

The unnamed man blinks and jumps a bit, gun raising quickly but then stopping as he feels the barrel to his skull. He sighs a bit and shakes his head an inch or so. The reply is one in a voice heavy with a spanish accent, "No can do Amigo... Unless you the right man.. You kill me boss kills me, makes no difference if I give to you and you wrong."

Penny remains there on the stairs, gun pointed at the door. "Comps, got another smoke?" Hasn't budged an inch and isn't likely to. Clicks her tongue against her teeth "What kinda messenger says no..."

A moment later "..obviously not one that wants to live."

Still with his bitch painted on the back of the man's skull, Chase switches over into some Spanish. Which I will translate here for everyone's sake. "You lookin' for Chase? You found him." The 45. cocks, and the hammer pulls back. "You lookin' ta get yer head fucked open, you keep ignoring the puto with the gun to yer head. Now, drop yer piece and leave the letter on the ground. Last time..." 'S like watching a real TV show, video screen 'n all. Only, this one's for reals, and filming right outside.

Hepzibah eventually finds something relevant to say. She demonstrates her mastery of the blatantly obvious. "Guy's got a lousy job." she remarks. It doesn't sound like she has a huge amount of sympathy for him, though.

Compton's head pops back out of the fridge, the pompom on the hat flipping around moronically, "Yeah, somewhere. Gimme a sec." and the closes the door with two beers in his hand and starts to pat down his parka with the other one looking for the square lump. Finding it he extracts two smokes and makes his way over to the stairs, stopping by Hapzbah to make a 'Got a light?' hand motion.

The man then nods slowly, his knees bending as he very slowly reaches the gun towards the ground. His other hands reaches into his back pocket, slowly as well, to give the man behind him no reason to pull the trigger. "Hey man, it's all cool, si? Just had to be sure, ya know." He sets the envelope and the desert eagle on the ground at his feet and starts to straighten again, "Now I just walk away right?"

"Scoot." The gun's lifted from the man's skull, Chase allows a peaceful retreat. And soon, it's just the thick soldier on screen. The Desert Eagle's grabbed, as is the letter, and soon Chase is on his way back inside without any shots fired.

Hepzibah doesn't notice Compton's gesture. She's way too new to this to be blase, and a couple people who want to smoke cigarettes don't even register while there are brand new loopholes in the laws of physics and a couple of guys with guns to consider. She sucks on the flattened end of the straw and watches owlishly.

Besides, Hep's lighter is in the pile of jacket Penny left on the floor. Eyes in the back of her head, Penny would say something but the audio's come back to life again. Out there it sounds pretty tense; doesn't want to fuck it up. Under her breath, Penny mumurs "..wrong answer, heffe.."

In through the door and down the stairs, Chase is unfolding a letter and stuffing a 50. Cal hand cannon in his waistline. "Can't fuckin' believe someone knows where the shit I live." And that, more than anything, has him -pissed-. He reaches the bottom of the stairs and walks towards the lab, eyes still downcast.

Compton rolls his eyes at the young'in and her excitement at the promise of violence and moves on, beers clinking as he moves across the space. Reaching Penny, he offer both smokes up. "Sorry, no light." and gazes to where Penny is so intent on.

(SPISH) A beer opens.

Compton has the beer out for Chase without a word. Shortly there after opening the second one and nipping in.

Or maybe it was in her backpocket. Lighter mechanics.. y'never know. She looks up to the door again, clicks the safety back on and tucks the gun into the small of her back. Gets lit and teeths the cigarette enough so she can exhale and talk around it. She presses herself against the wall, casually looking over Chase's shoulder as he walks downstairs. "S'bullshit is what that is."

A muchly deserved beer from Compton, "Gracias." Chase thanks and pulls from the cold treat.

Hepzibah turns around to look at the real live Chase coming down the stairs. Her expression is brimming full of questions, but she manages to squelch them for the time being. She rocks back and forth between her heels and her toes and accidentally flicks the straw across the room.

"Eh. Wonder how he found ma ass." Chase says, having absorbed the letter's contents in a single gulp. Beer wielding hand rubs his nose again, lazy eyes look at his three compadres. "Gun dealer." That's offered in explanation, and the thick man returns to his spot on the plush leather chair. "Been pokin' into his gig, guess he found that shite out. Good lookin' out though, cabrones. Ya'll 'r regular Johnny's on the spot."

Compton grins proudly that his little display of macho-killerness was so convincing. "The College is 'ere for ya is what Jesse says. So we're here for ya. Is all good." he croons on confidently. Yeh. Holding that big gun in his hands fulfilled some need in Compton that he's riding high on now.

Penny drags long and exhales something quiet under her breath. She stays in the region of the stairwell, talking to herself. Her right hand has returned to the drenched toiletpaper sticking to skin and shirt, starts plucking it out one soggy square at a time. "De nada, man" pasting on a smile for everyone's benefit "we're all alike."

//.etro: Penny rolls "arete" privately to Silvius at diff 5.
For a total of 2 success(es).

Long distance to Silvius: Penny is gonna roll arete diff 5 and get a spirit to do some recon with the messenger. Kay?
Silvius pages: okay.
Silvius pages: having it follow him?
You paged Silvius with 'Yep. Will tell me who he's taking orders from.'.
Silvius pages: penny okay, he walks a few blocks and gets in a car, then he drives to Little Italy, to Botticelli's Ristorante. He steps up to a man eating there alone, dressed in a very expensive, tailored suit. Man looks to be in his late 50's early 60's. He tells him how the scene went. The man isn't pleased about the gun being left behind but nods and dismisses the messenger with a wave of his hand.

[Ed Note: This, of course, is not what I asked for. But hey..]

"Right then. Let's see that cut, P." A finger wags at her, Chase has set aside the letter and is holding the band aids he procured for her before they were interrupted. The protective paper strip is peeled, and his callused hands prepare the wound closer.

Hepzibah twists a long lock of unnatural red hair between her fingers. "If you say so." she mumbles. She brushes the end of the hair over her cheek as she toys with it. She settles back down cross legged at the base of the table and looks at everyone like she's Alice in Wonderland and they're hookah smoking catterpillars.

Penny tugs the gun out and lays it on the table. "Got feelers out," sucking in, her hand scrapes off the rest of the tp into a garbage can. Heavy, wet noise in the plastic liner. "..keep you posted. I gotta get cleaned up. Hey," she adds almost as an after-thought, nodding at the gun on the table "you wanna let me hang on to that? Just in case he's like.. down the block'r somethin'?"

That's our Penny, as coy as she is polite.

"Eh." A glance back to the Colt. "Eh, go 'head I guess." Though Chase is still holding the band-aids, and offers them over with insistence. "But here, fuckin' plug that hole. Pobs bled enough on the damn floor, don't need this place lookin' like Fred Krueger lives down here. Now that I gots a roommate 'n all." A brief glance towards Hepsy, wonder what she makes of all this. Her relative silence speaks loud enough though.
Silvius has left.

Compton stands idly by watching Chase's feild triage sipping at his beer. "So, um... what's with the hole anyways Pens? You pickin holes in yerself like Doc?"

Penny retucks the piece and begs off the band aids. "He says he's terribly sorry about the mess and wishes it could be otherwise but it's a limitation of the vessel."

Right.
Just a smidgen off her game, Penny looks to Compton and to Hepzibah "I gotta go," some edge of hysterial tilting her voice to the higher end of the scale. She takes off almost as fast as Pobble did. Only minus the screaming and vulgar language.

Hepzibah attempts humour. Sort of. She laughs nervously. "Uh..as long as he doesn't really live down here, it's all good." she says. The lock of hair that she's twirling is smooth and shiny from the attention.

Chase is all about checkin' this gun boy. After handing over the band-aids, his cell phone is pulled out. "Via con dios, P." To the retreating girl. "Oh..." A beeping sound and the door's open. "Now then, let's see what kinda game this fucker's runnin'..." And his fingers go about punching in a number.

Compton shrugs at Penny, puts down the beer and starts doing up his parka. He makes to go too. But far less hasty then God-lady. "Well, was a slice guys. Thanks for the beer." he says cordially on his way.
Penny goes up the stairs.

Chase says, "Adios Compton. Thanks cabrone..."
Chase picks up his cellular phone and begins to dial.

Compton winks a final acknowledgement. That crossed with the grimey Santa's cap makes for a disturbing image. And he's gone too.


You go up the stairs.
From Derelict Home - Main Room, Penny comes up the stairs.
Derelict Home - Main Room
You leave the derelict house.
Chinatown Side Street

The buildings are too closely spaced together here. The first few buildings are businesses, spilling over from the busy street beyond. Then the buildings settle down to being residences. Many are old and rundown. Most are crowded close enough together to be termed shutgun houses. However, a few here and there are more elegant, remnants of an earlier time.

Contents:
Obvious exits:

[Meanwhile, out on the street, Penny is possessed by a sudden need to gun down The Enemy, newly armed]

You paged Cassius with 'Oi'.
Cassius pages: Oi!
Long distance to Cassius: Penny is looking for James. Feel like witnessing a spirit roll to send some out a'huntin' for me?

You walk south along Jarvis to College.
Downtown - Jarvis and College E(#128RJ)
You walk under the archway and enter the gardens.
Allan Gardens(#6048RIJM)

Verdant manicured lawns stretch out on either side of a wide sweeping walk way the leads you into Allan Park. A large circular fountain dominates the view as you approach the Conservatory.
Low concrete benches surround the shallow marble lined basin where one may sit and watch the bright red and orange Koi swim in and out of the lily pads and underwater plants that festoon the clear water. Copper and silver coins glisten beneath the calm waters, tokens to the gods of good fortune from the small children and wistful lovers who pray for favor over their offering.
Ahead gleams the ornately crafted Conservatory where the collection of tropical flora from Madagascar is tended, considered to be one of the finest in the country. And to either side you notice walkways that lead through out the formal gardens.

Place code is in effect here


You paged Cassius with 'Maybe?'.
Cassius pages: Um, alright, what sort of spirit are you looking for?
You paged Cassius with 'Responsive, intelligent. Something that isn't a bane?'.
Long distance to Cassius: Penny lags, horribly.
From afar, Cassius grins. Hmmm...
Cassius pages: Alrighty. Give me a roll. Where are you calling for a spirit?
Cassius pages: And give me a PAT first, it'll help determine the spirit. ;)
Chase steps in from the steet and heads into the gardens.

Chase has arrived.
Chase enters the conservatory
Chase has left.

'Phenomenon - Penny's sitting on a bench in the garden outside the Realm. She takes out her cellphone (foci) and dials.
Action - Penny is actually text-messaging out a broadcast to the most receptive spirits that reads: Please aide. Enemy at large. Must be found.
Theory - As a mentored hermetic, Penny has learned to disguise and hide her messages in conventional, modern technologies. The phone is just the tool.'.

You paged Cassius with 'Diff 5?'.
Cassius pages: 6 for Allan Gardens.
//.etro: Penny rolls "arete" privately to Cassius at diff 6.
For a total of 1 success(es).


Cassius pages: Gonna have to do better than that.
You paged Cassius with 'Kay. Same roll how many times?'.
Cassius pages: You just need more than 2 successes to do it. It takes that many to pierce the Gauntlet.
You paged Cassius with 'So just one more?'.
From afar, Cassius nods.

//.etro: Penny rolls "arete" privately to Cassius at diff 6.
For a total of 3 success(es).

Long distance to Cassius: Penny goes BOOYA. Gimme, gimme.
Cassius pages: You get a message that says 'No Carrier' at first and as you extend your will with a bit more oomf you get a text message back from FlwrPwr: Who is it?
Long distance to Cassius: Penny texts back P3NNY Ante. Who're you?
Cassius pages: FlwrPwr: You texted me. Who're you looking for?
You paged Cassius with 'James Anderson.'.
Cassius pages: FlwrPwr: Will find through grapevine. I'll text u ltr, k?
You paged Cassius with 'kk. thanks.'.
Cassius pages: About an hour or so later...
Long distance to Cassius: Penny whistles. Time flies!
Cassius pages: FlwrPwr: 911! Entropy Central! Fire! Fire! Fire! Fir--- NO CARRIER
Cassius pages: And there you go.
You paged Cassius with 'Uh, what?'.
Cassius pages: Spirits are not known for their abilities to give directions... It seems to have gotten cut off by something. But the clues are there to find where he is.
Long distance to Cassius: Penny gotchas.
Cassius pages: You also have the distinct impression of a curse.
Long distance to Cassius: Penny aprreciates your takin'the time. Thanks :)
Cassius pages: Not from the spirit. Its more of an intuitive thing.
You paged Chase with 'James must know he's about to get dead. Cassius pages: Cassius pages: You also have the distinct impression of a curse.'.
Long distance to Cassius: Penny hang-ons. "Did you mean I sensed MYSELF acquiring a curse or that there was something in the message?"
Cassius pages: No, it had to do with James.

You head out of the park.
Downtown - Jarvis and College E(#128RJ)

[And a short time later...]

You walk west along Bloor to Bay.
Downtown - Bay and Bloor W(#224RJ)

This bustling intersection is a constant hub of activity. Stores of all ranges pack the streets, and pedestrians flock to all of them. An office tower currently occupied by the Bank of Montreal with shops and stores on the ground level is known as the Manulife Centre. Other major stores include Holt Renfew, a department store selling only high-priced brand-named goods like Armani, Harry Rosen and Christian Dior; Bay Bloor Radio, a large discount store specializing in electronic goods, and the Bloor Street Diner, a yuppie bar and eatery. Bloor and Bay is one of the hearts of the after-hours hangouts. Yuppies nestle themselves into snotty bars while those of lower incomes pack into pubs and eateries. This is an area of influential, high-powered business mixed in with high-retail commercial. Pure white sidewalks are here, with the freshly paved road now deprived of pot holes as the beautification has come through here as well. Pleasant flowers in planters line the streets and small trees rest in their own holders at various points along the street.

Contents:
Ted Reeves
Ryan Reeves
Mick

Ryan Reeves is apparently waiting at a red light in an old blue-green Chevy. Hurrah for obeying the law!

Mick Is chilling in a grey government sedan, finishing a sandwich and a cellphone call at the same time.

The chevy's backup lights flare into the night as he inches backward from the red to line h is car up next to the governmental sedan. He then comes to a complete stop while keeping the engine running.

Ted Reeves is riding shotgun with his head out the window smelling the air. Hurrah!

Penny j-walks through the middle of the street, headphones on, collar flapping in the tumultuous winds. She isn't paying much attention, the world going on around her. Busy looking at a cellphone screen.

Mick flips a bird to the world in General "

Mick flips a bird to the world in General, muttering to himself "Im a friggin Federal Employee, I don't chase speeders....Jesus H Christ"

Ted Reeves motions for Mick to roll down his window and then he says in a british accent, "Pardon me sir, but do you have any grey poupon?"

Ryan amuses himself by watching the woman cross the street. Respectfully, of course.

Mick shrugs and waves his sandwich, "Nah...I got plain old frenches yellow," he adds as a rather inneffective comeback "I got a Remington 870 in the trunk?"

Hennessey arrives from the west.
Hennessey has arrived.

She gains the curb on the opposite side of the street without incident; nobody deliberately tried to mow her down - mostly they just slowed or she kept the right pace to traverse bumpers. Passing by the groups of people spilling out into the street, Penny slows on occassion to look from the phone up to doors. She stands back more than once, looking for numbers across the doors. Numbers and faces; looking into the faces of people she might know, doesn't know, will know in the future. Her headphones describe a false distance between her approaching these people, keeps her on that side of the glass and wall-eyed she keeps walking.

Ryan Reeves is apparently pulled up beside a government Sedan in his own blue-green Chevy.

Ryan gazes at Penny as Ted talks to whoever's in the sedan.

Ted Reeves gives Mick a confused look, "How do you change you're tires with Remington?

Mick hangs up his cellphone, conversation apparently finished and grunts "Very Carefully, Very Carefully"

Ted Reeves snorts in a british accent to Mick, "No grey poupon!? How uncivilized!"

Ryan casually leans back in his seat, apparently not going anywhere. He withdraws a cigarette from a jacket pocket before he alerts Ted, "I think he and the Miss's are picking up soliciters."

Mick asks the guy across from him "No, we aint picking up Johns," then he looks the pair in the Chevy over and asks "Hey, aint you that reporter guy?"

Hennessey crawls through the start-and stop of traffic. Shows must be just getting out or something. She yawns.

Penny holds her phone up to the next awning, counting silently to herself, nodding her head up and down. Up and down. Down down, bamp bamp. She finds her groove and knocks it around, shivering terribly.

The things we do for love or money. Suffering outrageous conditions, Penny glances downat her shoes? at something lower than eye-level and shoves her way past a heaving debutant faster now.

Ted Reeves switchs from a british accent to his patented southern accent and says to Mick, "Well, I'll be damned. If we's a re-port-ers, then I'll bet that your a mountie... Eatin' a sandwich with no grey poupon, that is."

Ryan sighs, apparently allowing Ted to handle whatever questions are asked. He instead leans out the car window and makes a motion toward Penny as if beckoning her to approach.

Millia arrives from the south.
Millia has arrived.

Ryan is apparently sitting in the driver's seat of a blue-green chevy which is pulled alongside a sedan.

Mick says "Yeah, Im a mountme, you want a leak or not?"

Hennessey crawls through traffic in a dark blue little Audi sedan... the live-parked Chevy isn't helping, of course, but then again, maybe it's important.

Ted Reeves pats Ryan's shoulder, "He's giving us info! Screw the streetwalker." He turns back to Mick and says, "So, Federal employee what do you know?"

Mick says "Well, I don't wanna talk outa school, got a place you like to drink beer at?"

Penny wasn't looking at the gesturing Ryan; she was concentrating on her phone. It was only the after-image, the missing motion of a stopped hand that catches her wide eyed and staring. Blue, gloveless hands refold inside the jacket as she tucks away her phone and approaches the truck.

"Yeah?" One syllable, multiple interpretations.

Late evening or not, Millia seems to still be speaking to people. She walks about the streets, handing out buttons as she speaks to people along the way.

Ryan gives Ted a slight frown before he says, "She looks cold." He then gazes at the woman who has approached and asks, "It's a bit late to be wandering the winter streets, isn't it? Can I give you a ride somewhere, madam?"

//.etro: It is 9:53 pm, late evening, on Saturday the 10. day of January, 2009.

Coming closer to the group, the reporters should recognize Millia, now. She's one of the two candidates running in the city council election. She smiles at the two of you, "Thanks for the offer, I might take you up on that."

Ted Reeves looks at Ryan and shakes his head, "Hey cop, I'll go drink a beer with you. My brother has his eyes on other things right now."


Mick nods "Sure thing dude, hop in?" he eyes the brother and says "Let ol' boy get to gettin?"

Ted Reeves jumps out of the old chevy and into the Govt sedan.

Mick fires up his car and pulls out of the parking place, zipping down the street for buisness and beer.

Ryan shakes his head slowly before offering Millia a smile as well. He seems to have been addressing the previous question to Penny, but he decides either woman looks cold.

Mick walks west along Bloor to University.
Mick has left.
Ted Reeves walks west along Bloor to University.
Ted Reeves has left.

Maybe she was about to speak up but hey, Penny knows how to let things move along. And she goes with the flow, passing by Millia in just a few quick steps without a backward glance. Everyone near Penny has buttons and a few of them try to pass some her way, touching her elbows, pinching at her jacket.

Hennessey pulls out behind the sedan. Well, at last, traffic's moving..
Hennessey walks west along Bloor to University.
Hennessey has left.

Ryan frowns as Penny begins to walk away, but he does address Millia as he asks, "So, things look to be pretty much in order here. Did you want a ride somewhere?" Yep, Ryan seems to be running the blue-green taxi service as of late.

Millia looks at Penny as she passes by her, a hint of recognition on her face, but that is gone almost as quickly as it appears. She nods towards Ryan, "Sure, I'm pretty much done here."

Penny says, in Latin, "DON'T TOUCH ME!" shouting at these drunks, these wastrels, these her brethren. Penny shrieks and flinches away from the button brigade. She holds up her hands, pushing at the air, shielding her eyes from the wind "STOP" swiping at invisible hands trying to plant these electoral seeds in her pockets and palms.

Ryan nods to Millia, motioning toward the now empty passenger's seat as he says with a sly smirk, "Hop on in. You're lucky, Ted usually doesn't give up the shotgun position without a duel."

Millia chuckles softly, and like her voice, there is something light and musical about it, "I think I've run into your brother, but I can't pin where." She then wanders around to the passenger side of the chevy and climbs in.

The shouting seems to do the trick, sends the hip and youthful guerilla campaigners on their way to other streets and other bars where their efforts won't be rebuffed. Penny, winded, puts a hand out to a white-painted pole. Leaning there only a moment, her handprint remains in a red stain as she limps on.

Ryan nods before commenting, "Probably, he does seem to know everyone in the city." Ryan points in Penny's direction before commenting, "Well, besides her." He wences at Penny's shouting, a slightly concerned look crossing his face before he accelerates and pulls up alongside the woman. "Um...did you want a ride as well, miss? You seem a bit upset and lost," Ryan says before he adds, "And...um...wounded."

Ryan gazes at Penny for perhaps a moment too long after he asks the question before finally blinking once again. In all, it looks to be the appraising type of gaze reporters often give when trying to size someone up as a potential story.

Millia gets a look of worry across her features looking at the handprint. From the vehicle a soft humming is heard, as she takes hold of her pendant.

Millia actually steps out of the vehicle, moving towards Penny, "Are you alright? What happened?"

The headphones tilt and slide off her head "Get away from me," taking it personally while the truck rolls slow enough to keep her pace, harsh and heavy words issuing forth "you're a mark, we're not supposed to talk." She stops suddenly, an equally estimating eye fixed on Ryan "What'd he want you messed up for anyway. You have a little too much fun in the Boom Boom room?" On second thought, this really isn't the time. Resorting to duck and cover, Penny tries to keep moving through the crowd.

From afar, Millia wants to do a lifescan on Penny, to see where she is hurt.
Millia pages: Would you like me to contact staff, or would you let me roll it to you?
You paged Millia with 'You can roll but I'll tell you - she's got a wound in her abdomen.'.

Ryan moves to slowly keep up with Penny, his vehicle inching forward. He doesn't appear to be too upset with the woman despite whatever it is she's going on about, instead offering a (what he hopes to be) disarming smile as he responds, "I assure you, I am not that type of man. I've only been in there once and that was for a friend's eighteenth birthday party."

From afar, Millia is trying to remember if I'd rped with you before or not, I've talked with the rest of the Invisible College..
Long distance to Millia: Penny nopes.

Moving as slow as it was, Millia showed she had some atlethcism when she steps out of the truck. She walks rather quickly to intercept Penny, "Please, ma'am, let me look at that, I am medically trained a bit."

From afar, Millia nods, Okay...no mentioning the rest of the college to try and stop then.

The shouting taunts and Penny can't stop herself, evading Millia with a few quick feints, a dodge to the left and she's back at the truck's window. Her hand grips the mirror like she's about to take off again "Y'see like a nice guy, you're not 'cause you're a reporter and I know better, but you seem nice." Some threads of genuine concern, something else wrinkling her forehead "Okay? You just.. seem .. nice," warning you off, Penny starts to take off again.

Millia keeps in step with Penny rather well. She steps just beside the other woman, glancing at the her abdomen, pinpointing the wound quickly, "What happened to you?" Her voice is full of concern.

Ryan offers a slight smile as he answers, "And you seem to be cold, madam." He continues to follow alongside Penny, ignoring the traffic that passes around him as he moves. "You know you have absolutely nothing to fear from me. Why don't you let her see to your wounds, madam?" Ryan makes a motion toward Millia as he pulls to a stop once again, casually exitting the driver's seat in a graceful motion.

Penny looks over her shoulder, passing by panhandlers, people turning out papers, trucking out the hopelessly drunk. Blood passes from Penny to those stumbling in her path, dotting them. She looks over her shoulder and sees the unwelcome entourage, stung by the vision and spurred on like there's a whip across her back. "Go away, ..said it'll only get frostbit. Just fuck off, okay?"

Ryan sighs as he withdraws a cellphone from a trenchcoat pocket. He, of course, keeps after Penny, red trenchcoat swirling dramatically about him as he dodges passerbyers rather deftly. "Listen, madam, if you do not stop I will be forced to call an ambulance and possibly the police as your safety outweighs any dislike that you may bear for me afterwards."

So she stops. And waits for Ryan to catch up. She, too, reaches into her pocket and tugs out a cellphone, a calm composing her suddenlyvery still "Got one, too. Anyone can call the cops. Do you have a point? People can bleed if they want to." Close up you can see her shoulders slump a little and her skin's a little silvery - damp. "G.. " gutteral noise, unfinished in a sneeze, more substance issuing out "..you wanna be a hero? Save her election," nodding up to Millia "don't do me any favors. It's nothing you'd understand."

"I don't want to be a hero," Ryan responds softly before adding, "I just don't wanna see a woman die before me." And, with a deft motion and turn, Ryan removes his trenchcoat and tosses it toward Penny as he turns to leave. "Do me a favor, don't freeze to death," Ryan says as he doesn't even bother to watch whether Penny catches the trenchcoat or not. As he makes a motion for Millia to follow him back to his chevy, Ryan adds presumably for Penny, "Tell him he has my appologies for whatever perceived insults he's suffered and is free to have me roughed up at any time, but that I would ask he lay off injuring women."

Connelly has arrived.
Connelly walks in in her heavy winter jacket as she is heading towards the bank...(OOC OK..now can someone set the scene for me?)

Ryan Reeves is wandering toward a blue-green chevy, presumably to get out of the rather cold weather. He occassionally glances in Millia's direction as if to be sure she's following.
"Please miss, you're going to pass out soon if that wound isn't treated," Millia says to Penny who seems to be running away from her, while Ryan climbs into a truck parked nearby.

Penny catches the trench tossed in her off-hand. But Ryan's walking away; too fast for Penny to throw it back at him. Hey, free coat. She wanders off, but not before responding "You don't know shit about and God says you're gonna lose."

Millia sighs shaking her head, but after saying that, she does follow Ryan towards his vehicle.

You walk east along Bloor to Yonge.
Downtown - Yonge and Bloor(#110RJ)
You walk down the stairs into the subway tunnels, pay your ticket and approach the subway platform.
Subway - Yonge/Bloor Station
From afar, Millia chuckles, talk to Connelly before you run outta her.
Long distance to Millia: Penny is long gone.

Penny takes a subway bound for college.
You board the subway for COLLEGE.
Subway - College Station
You enter the lobby area of the Holiday Inn.
Holiday Inn(#2848RnAJ)
You enter the apartment.